3. The Spirit of the Age (1790-1850) e A sense of a shared vision among the Romantics. e Early support of the French Revolution. e Rise of the individual  alienation. e Dehumanization of industrialization.  Radical poetics / politics  an obsession with violent change. e A sense of a shared vision among the Romantics. e Early support of the French Revolution. e Rise of the individual  alienation. e Dehumanization of industrialization.  Radical poetics / politics  an obsession with violent change.

5. Enlightenment Society is good, curbing violent impulses! Civilization corrupts! Romanticism Early 19c A Growing Distrust of Reason e The essence of human experience is subjective and emotional. e Human knowledge is a puny thing compared to other great historical forces. e “Individual rights” are dangerous efforts at selfishness  the community is more important. e The essence of human experience is subjective and emotional. e Human knowledge is a puny thing compared to other great historical forces. e “Individual rights” are dangerous efforts at selfishness  the community is more important.

6. The Romantic Movement e Began in the 1790s and peaked in the 1820s. e Mostly in Northern Europe, especially in Britain and Germany. e A reaction against classicism. e The “Romantic Hero:”  Greatest example was Lord Byron  Tremendously popular among the European reading public.  Youth imitated his haughtiness and rebelliousness. e Began in the 1790s and peaked in the 1820s. e Mostly in Northern Europe, especially in Britain and Germany. e A reaction against classicism. e The “Romantic Hero:”  Greatest example was Lord Byron  Tremendously popular among the European reading public.  Youth imitated his haughtiness and rebelliousness.

7. Characteristics of Romanticism The Engaged & Enraged Artist:  The artist apart from society.  The artist as social critic/revolutionary.  The artist as genius. The Engaged & Enraged Artist:  The artist apart from society.  The artist as social critic/revolutionary.  The artist as genius.

8. Wandering Above the Sea of Fog Caspar David Friedrich, 1818

9. Lady Macbeth - Henry Fuseli, 1794

11. Characteristics of Romanticism The Individual/ The Dreamer:  Individuals have unique, endless potential.  Self-realization comes through art  Artists are the true philosophers. The Individual/ The Dreamer:  Individuals have unique, endless potential.  Self-realization comes through art  Artists are the true philosophers.

12. The Dreamer Gaspar David Friedrich, 1835

13. Solitary Tree Caspar David Friedrich, 1823

15. Characteristics of Romanticism Glorification of Nature:  Peaceful, restorative qualities [an escape from industrialization and the dehumanization it creates].  Awesome, powerful, horrifying aspects of nature.  Indifferent to the fate of humans.  Overwhelming power of nature. Glorification of Nature:  Peaceful, restorative qualities [an escape from industrialization and the dehumanization it creates].  Awesome, powerful, horrifying aspects of nature.  Indifferent to the fate of humans.  Overwhelming power of nature.

16. An Avalanche in the Alps Philip James de Loutherbourg, 1803

17. Sunset After a Storm On the Coast of Sicily – Andreas Achenbach, 1853

18. The Deluge Francis Danby, 1840

19. Tree of Crows Caspar David Friedrich, 1822

20. The Wreck of the Hope (aka The Sea of Ice) Caspar David Friedrich, 1821

21. Shipwreck – Joseph Turner, 1805

22. The Raft of the Medusa Th é odore G é ricault, 1819

23. The Eruption of Vesuvius - John Martin

25. Isaac Newton – William Blake, 1795

26. Dr. Frankenstein’s Adam & Eve??

28. Rain, Steam, and Speed Joseph Mallord William Turner, 1844

29. Rain, Steam, & Speed (detailed)

30. The Slave Ship Joseph Mallord William Turner, 1842

31. The Slave Ship (detailed)

33. Flatford Mill – John Constable, 1817

34. The Corn Field John Constable, 1826

35. The Hay Wain - John Constable, 1821

37. Characteristics of Romanticism Revival of Past Styles:  Gothic & Romanesque revival.  “Neo-Gothic” architectural style.  Medieval ruins were a favorite theme for art and poetry. Revival of Past Styles:  Gothic & Romanesque revival.  “Neo-Gothic” architectural style.  Medieval ruins were a favorite theme for art and poetry.

38. Salisbury Cathedral from the Bishop’s Ground John Constable, 1825

39. Salisbury Cathedral from the Meadows John Constable, 1831

40. Hadleigh Castle - John Constable, 1829

41. Eldena Ruin Gaspar David Friedrich, 1825

42. Winter Landscape with Church Gaspar David Friedrich, 1811

43. British Houses of Parliament 1840-1865

45. Characteristics of Romanticism The Supernatural:  Ghosts, fairies, witches, demons.  The shadows of the mind—dreams & madness.  The romantics rejected materialism in pursuit of spiritual self-awareness.  They yearned for the unknown and the unknowable. The Supernatural:  Ghosts, fairies, witches, demons.  The shadows of the mind—dreams & madness.  The romantics rejected materialism in pursuit of spiritual self-awareness.  They yearned for the unknown and the unknowable.

46. Cloister Cemetery in the Snow Caspar David Friedrich, 1817-1819

47. Abbey in an Oak Forest Caspar David Friedrich, 1809-1810

48. Mad Woman With a Mania of Envy Theodore Gericault, 1822-1823 Mad Woman With a Mania of Envy Theodore Gericault, 1822-1823

49. Pity - William Blake, 1795

50. The Great Red Dragon and the Woman Clothed with the Sun William Blake, 1808-1810

51. Stonehenge - John Constable, 1836

52. Nightmare (The Incubus) Henry Fuseli, 1781

53. Manfred and the Witch of the Alps John Martin - 1837

54. Witches Sabbath Francisco Goya, 1798

55. Procession of Flagellants on Good Friday Francisco Goya, 1793

56. Saturn Devours His Son Francisco Goya, 1819-1823

58. Greece on the Ruins of Missolonghi Eug è ne Delacroix, 1827

59. Liberty Leading the People Eug è ne Delacroix, 1830

60. Detail of the Musket Bearer Delacoix, himself

61. The Rise of the Cartheginian Empire Joseph Turner, 1815

62. His Majesty’s Ship, “Victory” (Trafalgar) - John Constable, 1806

63. An Officer of the Imperial Horse Guard Th é odore G é ricault, 1814

64. Napoleon at the St. Bernard Pass David, 1803 Napoleon at the St. Bernard Pass David, 1803

65. The Shooting of May 3, 1808 Francisco Goya, 1815

66. Pandemonium - John Martin, 1841

68. Characteristics of Romanticism Exoticism:  The sexy “other.”  A sense of escape from reality.  A psychological/moral justification of imperialism? Exoticism:  The sexy “other.”  A sense of escape from reality.  A psychological/moral justification of imperialism?

69. Grand Canal, Venice Joseph Mallord William Turner, 1835

70. Massacre of Chios - Eug è ne Delacroix, 1824

71. The Fanatics of Tangiers Eug è ne Delacroix, 1837-1838

72. The Sultan of Morocco and His Entourage Eug è ne Delacroix, 1845

73. Women of Algiers in Their Apartment Eug è ne Delacroix, 1834

74. The Turkish Bath Jean Auguste Ingres, 1852-1863

75. The Bullfight - Francisco Goya

76. Charge of the Mamelukes, May 2 nd, 1808 Francisco Goya, 1814

77. The Royal Pavillion at Brighton John Nash, 1815-1823

79. God as the Architect - William Blake, 1794

80. Elohim Creating Abraham William Blake, 1805

81. Body of Abel Found by Adam and Eve William Blake, 1825

82. Faust and Mephistopheles Eug è ne Delacroix, 1826-1827

83. The Seventh Plague of Egypt John Martin, 1823

84. The Cathedral Gaspar David Friedrich, 1818

85. The Cathedral (details) Gaspar David Friedrich, 1818

86. The Great Age of the Novel   Gothic Novel: Jane Eyre - Charlotte Bronte (1847) Wuthering Heights - Emily Bronte (1847)  Historical Novel: Ivanhoe - Sir Walter Scott (1819) Les Miserables - Victor Hugo (1862) The Three Musketeers – Alexander Dumas (1844)   Gothic Novel: Jane Eyre - Charlotte Bronte (1847) Wuthering Heights - Emily Bronte (1847)  Historical Novel: Ivanhoe - Sir Walter Scott (1819) Les Miserables - Victor Hugo (1862) The Three Musketeers – Alexander Dumas (1844)

87. The Great Age of the Novel  Science Fiction Novel: Frankenstein - Mary Shelley (1817) Dracula – Bramm Stoker (1897)  Novel of Purpose: Hugh Trevar - Thomas Holcroft (1794)  Science Fiction Novel: Frankenstein - Mary Shelley (1817) Dracula – Bramm Stoker (1897)  Novel of Purpose: Hugh Trevar - Thomas Holcroft (1794)

89. Other Romantic Writers Jacob and Wilhelm Grimm - Grimm’s Fairy Tales (1814-1816) Johann Wolfgang von Goethe - Faust (1806-1832)

90. The Romantic Poets  Percy Byssche Shelley  Lord Byron (George Gordon)  Samuel Taylor Coleridge  William Wordsworth  John Keats  William Blake  Percy Byssche Shelley  Lord Byron (George Gordon)  Samuel Taylor Coleridge  William Wordsworth  John Keats  William Blake

91. George Gordon’s (Lord Byron) Poem She Walks in Beauty George Gordon’s (Lord Byron) Poem She Walks in Beauty

92. She Walks In Beauty She walks in beauty, like the night Of cloudless climes and starry skies; And all that's best of dark and bright Meet in her aspect and her eyes: Thus mellow'd to that tender light Which heaven to gaudy day denies. One shade the more, one ray the less, Had half impair'd the nameless grace Which waves in every raven tress, Or softly lightens o'er her face; Where thoughts serenely sweet express How pure, how dear their dwelling-place. And on that cheek, and o'er that brow, So soft, so calm, yet eloquent, The smiles that win, the tints that glow, But tell of days in goodness spent, A mind at peace with all below, A heart whose love is innocent! - Lord Byron When we two parted In silence and tears, Half broken-hearted To sever the years, Pale grew thy cheek and cold, Colder, thy kiss; Truly that hour foretold Sorrow to this. The dew of the morning Sunk, chill on my brow, It felt like the warning Of what I feel now. Thy vows are all broken, And light is thy fame; I hear thy name spoken, And share in its shame. They name thee before me, A knell to mine ear; A shudder comes o'er me... Why wert thou so dear? They know not I knew thee, Who knew thee too well.. Long, long shall I rue thee, Too deeply to tell. In secret we met In silence I grieve That thy heart could forget, Thy spirit deceive. If I should meet thee After long years, How should I greet thee? With silence and tears. When we parted

93. How Do I Love Thee How do I love thee? Let me count the ways I love thee to the depth and breadth and height My soul can reach, when feeling out of sight. For the ends of Being and ideal Grace I love thee to the level of everyday's Most quiet need, by sun and candlelight. I love thee freely, as men strive for right I love thee purely, as they turn from praise I love thee with the passion put to use In my old griefs, and with my childhood's faith. I love thee with a love I seemed to lose With my lost saints, --I love thee with the breath, Smiles, tears, of all my life! -- and, if God choose, I shall but love thee better after death. - Elizabeth Barrett Browning

94. A Red, Red Rose O my luve's like a red, red rose. That's newly sprung in June; O my luve's like a melodie That's sweetly play'd in tune. As fair art thou, my bonnie lass, So deep in luve am I; And I will love thee still, my Dear, Till a'the seas gang dry. Till a' the seas gang dry, my Dear, And the rocks melt wi' the sun: I will luve thee still, my Dear, While the sands o'life shall run. And fare thee weel my only Luve! And fare thee weel a while! And I will come again, my Luve, Tho' it were ten thousand mile!- Robert Burns

95. Mary Shelley Frankenstein Mary Shelley Frankenstein

96. Sir Walter Scott Ivanhoe Sir Walter Scott Ivanhoe

97. William Wordsworth’s Poem, Tintern Abbey William Wordsworth’s Poem, Tintern Abbey

98. Samuel Taylor Coleridge’s Poem, The Rime of the Ancient Mariner Samuel Taylor Coleridge’s Poem, The Rime of the Ancient Mariner

100. The Political Implications e Romanticism could reinforce the greatest themes of political liberalism or political conservatism. e Contributed to growing nationalist movements.  The concepts of the Volk (people) and the Volkgeist (national character).  The uniqueness of cultures was emphasized. e Romanticism could reinforce the greatest themes of political liberalism or political conservatism. e Contributed to growing nationalist movements.  The concepts of the Volk (people) and the Volkgeist (national character).  The uniqueness of cultures was emphasized.

101. Bibliographic Sources   CGFA: A Virtual Art Museum. http://cgfa.sunsite.dk/fineart.htmhttp://cgfa.sunsite.dk/fineart.htm  “Romanticism” on Artchive. http://artchive.com/artchive/romanticism.html http://artchive.com/artchive/romanticism.html