1. By: Jose Lara & C.J. Lawlor

2.  Birth Place-Urbino Italy  DOB-4/6/1483  DOD-4/6/1520  Most of his works where for the Vatican  Place of death-Rome, Italy  Alternative names-Raphael & “Prince of Painters”  1509-1511 painted in the “Room of the Segnatura”  Hired as chief architect by Pope Julius II in 1514.  His father, Giovanni Santi painted for the Duke of Urbino, Federigo da Montefeltro

3.  Oil on Panel  Painted in 1518 on Palazzo Pitti, Florence  Said to pay homage to Michelangelo (use same elements)  Made three dimensional by shading and making some parts of the paintings bigger than others  God is accompanied by cherubims  symbols of evangelists such as the ox, lion, eagle and angel dominated the whole painting  Sharp detain in the clouds & rays

4.  Oil on wood  Started in 1504-1506  National Gallery of Art, Washington, D.C.  measures 28 ½ by 21 ½ centimeters  part of the Andrew Mellon Collection  first painted for the court of Urbino  depicts Christian Roman soldier, St. George who defended the daughter of a king that was a pagan  3D  Said to have converted the pagan king to Christianity.

5.  Oil on wood  Painted for Guidobaldo da Montefeltro, the Duke of Urbino, in 1504-1505.  Painted in Louvre, Paris  3D Painting  Image of Archangel Michael in hell with demons around him.  Raphael created another painting with this same theme in 1518 for Pope Leo X.  This piece of art hung in the Palace of Fontainebleau in 1548.

6.  Completed in 1504  Oil on canvas  Painted for the Citta de Castello, a Franciscan Church.  Is not a biblical painting only legend.  Marry wedded Joseph the most worthy man for her by word of the High Priests.

7.  Completed in 1512 for the Villa Farnesina a Renaissance era villa in Rome.  Only piece of Greek Mythology at that Rafael completed.  Depicts Nereid Galatea who fell in love with a peasant shepherd

8.  Helped his church by creating pieces of art for it.  Uses distance to add visual effect to his pieces  Use of detail greatly affected how his artwork was looked upon.