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Begins on page 331 Chapter 37 Popular Music and Jazz to 1950
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Popular Music before 1850 Broadsides Parlor songs ► Not difficult to perform ► Often sentimental Foster: “Beautiful Dreamer” Copyright © 2010 by Schirmer Cengage Learning
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Tin Pan Alley Term for popular music industry Published many songs; most short-lived 1890s songs ► Lead-in verse followed by chorus ► ¾ meter ► a a b a, in 32 measures
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Ragtime Sound like marches for piano ► In 2/4 meter ► Catchy melodies ► Much syncopation, especially in right hand part Joplin: “Maple Leaf Rag” Copyright © 2010 by Schirmer Cengage Learning
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Blues Texts about personal hardships Musical features ► a a b form in 12 measures ► Established progression of chords ► Strophic with several verses ► Instruments sometimes adds “breaks” in lines Bessie Smith: “Lost Your Head Blues” Copyright © 2010 by Schirmer Cengage Learning
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Beginnings of Jazz Jazz had a variety of ancestors Was not written down First appeared in New Orleans funeral bands Then moved “up the river” to St. Louis and Chicago and then New York
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Elements of Jazz Melody Harmony Rhythm JOE “KING” OLIVER’S CREOLE JAZZ BAND Copyright © 2010 by Schirmer Cengage Learning
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Elements of Jazz Timbre Form Improvisation JOE “KING” OLIVER’S CREOLE JAZZ BAND Copyright © 2010 by Schirmer Cengage Learning
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Types of Jazz Dixieland ► Armstrong: “Come Back, Sweet Papa” Boogie-woogie Swing ► Ellington: “Take the ‘A’ Train” LOUIS ARMSTRONG DUKE ELLINGTON Copyright © 2010 by Schirmer Cengage Learning
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Summary Popular music before 1850 Tin Pan Alley Ragtime Blues Beginnings of jazz Elements of jazz Types of jazz
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