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Published byBennett Daniel Dickerson Modified over 9 years ago
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HOLLYWOOD Stars & Studios
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THE HOLLYWOOD STUDIOS 1915-25: transition from Trust to STUDIO SYSTEM “Studio Era” typified by: –Picture palaces –Movie audience that included all classes –Standardized production of feature-length films (1½ hrs) –Concentration of production in Hollywood –OLIGOPOLY & VERTICAL INTEGRATION
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OLIGOPOLY A few large firms control an entire industry Due to high cost of film production –Feature-length films were expensive –Salaries increased, esp. for stars –Production values increased –Sound added to costs of equipment & production
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OLIGOPOLY Costs of distribution, picture palaces & converting to sound Small companies began to merge in order to compete By late 1920s, 8 companies controlled 91% of box-office These companies known as 8 Majors
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VERTICAL INTEGRATION Company controls product from production to retail sale BIG 5 –MGM, PARAMOUNT, FOX, WARNER BROS., & RKO –Vertically integrated: production, distribution & exhibition
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VERTICAL INTEGRATION LITTLE 3 –COLUMBIA, UNIVERSAL, & UNITED ARTISTS –Not totally vertically integrated –Columbia & Universal in production & distribution, but no theaters –United Artists only distributed films
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“THE DREAM FACTORY” DIVISION OF LABOR –Labor highly specialized & efficient, becoming highly unionized –THE CONTRACT SYSTEM Most workers under contract for 5-7 years Renewable by studio every 6 months Studios maintained prop & costume depts Filmed on own lots
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“THE DREAM FACTORY” THE “STUDIO LOOK” –Consistent labor, props, settings resulted in "Studio Look“ –Studios tended to build their films around their stars
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Marlene Dietrich Paramount Stars
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The Marx Bros Mae West
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Bing Crosby, Dorothy Lamour & Bob Hope Paramount Stars
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Fleischer Bros. Studio Popeye
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Fleischer Bros. Studio Superman
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Fleischer Bros. Studio Betty Boop
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Metro-Goldwyn-Meyer
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MGM Stars Greta Garbo
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MGM Stars Clark Gable Spencer Tracy
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MGM Movies Tarzan the Ape Man (1932)
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MGM Movies Love Finds Andy Hardy (1938)
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Hal Roach Studio Laurel & Hardy
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Hal Roach Studio Our Gang
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MGM Animation
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Tex Avery’s Wolfie and Red
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20th Century-Fox
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20th Century-Fox Stars Sonja Henie Shirley Temple
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20th Century-Fox Stars Betty Grable Tyrone Power
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20th-Century Fox Movies Charlie Chan at the Olympics (1937)
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Warner Bros.
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Warner Bros. Stars Humphrey Bogart
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Warner Bros. Stars Bette Davis
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Warner Bros. Animation
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RKO Movies
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Disney Animation Mickey Mouse Donald Duck
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Disney Animation Snow White (1937)
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Universal
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Universal Serials
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Walter Lantz Studio Woody Woodpecker Chilly Willy
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Universal Movies Abbott & Costello
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Universal Horror Movies
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Columbia
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Columbia Movies Claudette Colbert Clark Gable Frank Capra’s It Happened One Night (1934)
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Columbia Movies Batman & Robin
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Columbia Shorts The Three Stooges
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United Artists Douglas Fairbanks, Mary Pickford, Charlie Chaplin & DW Griffith
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Monogram Movies Federal Bullets (1937)
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Monogram Stars The Bowery Boys
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Republic
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Republic Movies
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ADAPTING TO NEW TECHNOLOGIES SOUND –Help define space –Offscreen sound creates sense of 3- dimensional world –Onscreen sound defines space it comes from DIALOGUE: sound a way of developing characters & defining character traits
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ADAPTING TO NEW TECHNOLOGIES MUSIC –Nondiegetic music reinforces “proper” emotional responses –Helps define & identify characters –Both outgrowths of live music in silent film exhibition –Market for records of film music
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ADAPTING TO NEW TECHNOLOGIES SOUND DEVICES FOR CONTINUITY –Work with continuity editing Create smooth transitions between shots & scenes Keeping attention on narrative –SOUND BRIDGE –DIALOGUE HOOK
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ADAPTING TO NEW TECHNOLOGIES DEEP FOCUS –By late 1930s, trend toward deep focus –New film stocks & lenses –Adapted to CHC narrative style Establish relationships among characters in a number of planes –Takes became longer
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ADAPTING TO NEW TECHNOLOGIES COLOR –HAND-COLORING (1896-1910) & TINTING & TONING (1910-27) –TECHNICOLOR TECHNICOLOR, INC. (1915) 2-COLOR TECHNICOLOR (1920s) –Red & blue 3-COLOR TECHNICOLOR (1932) –Red, green, & blue –3 rolls exposed simultaneously
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