1. 10/24/20151 RTV 322 Camera use: Shooting to Edit Film and Video

2. 10/24/20152 Project 1 Training and certification Sign up now See syllabus and outline directions

3. 10/24/20153 Film vs. Video Film  a thin flexible strip of plastic or other material coated with light- sensitive emulsion for exposure in a camera, used to produce photographs or motion pictures Video  magnetic tape for recording and reproducing visual images and sound.

4. 10/24/20154 Film vs.Video Film stock is the imaging device for motion picture film CCD or CMOS is the imaging device for video Future for film?

5. 10/24/20155 Film 8 mm, 16mm, 35mm, 70mm Super 16 and 35 mm Film stock--costs and processing  Film stock types: b/w or color, negative or reversal, fast or slow, tungsten or daylight 1.33:1 aspect ratio 24 fps Sprocket holes, audio recording  Chapter 14 sound and film

6. 10/24/20156 Magnetic Videotape Analog vs. Digital Interlaced or Progressive Standard or High Def 4:3 or 16:9 Digital Compression Codecs Not ‘filming’ Chemical vs. electromagnetic

7. 10/24/20157 New storage options HDD DVD / Blu Ray / Optical discs Flash memory (built in vs. removable, like SD card) Cloud Storage

8. 10/24/20158 Digital Recording 480 vs. 720 vs. 1080 Contrast ratio Megapixels I vs. P Lossy or Lossless codecs Color sampling: relationship of chroma to luminance / luma Bit depth: the number of individual 0s and 1s sampled

9. 10/24/20159 Illusion of Movement Persistence of vision 24 vs. 30 fps (transfers) Shoot only in 30 fps ‘shutter speed’

10. 10/24/201510 Time Code Vital to videotape Important for timing / syncing SMPTE VITC vs. longitudinal ‘striping’ Time code vs. control track

11. Our cameras Canon XH A1 (mini DV)  Manual mode Manual mode  ‘point and shoot’ JVC HM 150 (SDXC card)  Class 6 or above  Brand matters  Georgia tutorial Georgia tutorial  Our settings:  SD(DV), QuickTime, 16:9 (GL1) 10/24/201511

12. 10/24/201512 Lenses Camera body vs. lens Zoom or fixed (prime) -- critical focus Optical vs. Digital zoom Diaphragm / aperture -- f-stops / t-stops / number means what? Manual vs. autofocus  Sharp focus, Selective focus, follow focus, rack focus, soft focus, swimming focus Depth of field is affected by focal length, aperture, and the distance of objects from the camera.

13. 10/24/201513 Video Shooting Tips http://multimedia.journalism.berkeley.edu /tutorials/shooting_tips/

14. 10/24/201514 Camera mounts Tripod and pedestal  Friction head / Fluid Head Crane vs. jib Dolly / track SteadiCam vs. Handheld  Image stabilization Robotics, follow me, Segue, ‘copter, cable mount, etc.

15. 10/24/201515 Shot Composition Rule of Thirds Point of View Angle  High angle, low angle, high level, low level, bird’s eye view, canted / Dutch angle Cut off lines, look space, lead room, head room, eye line Terms: WS, OTS, 2/S, etc.

16. 10/24/201516 Transitions What is a shot? Fade / cut / Diss / Wipe / DVE ‘Changing shots’ in a one-shot Multi cam shoots vs. film style Real time to Filmic time Invisible / seamless edits Sequences Master Shot / cover shot Jump cuts / pop cuts

17. 10/24/201517 Camera movements Pan, tilt, truck, dolly, arc, zoom, boom/pedestal DVE Crane, tracking, feather, 360 shot, follow, swish pan, snap zoom

18. 10/24/201518 The Static Frame Storytelling involves interplay of blocking, lighting, costumes, and setting -- as captured by the camera Balanced shots? Edge of the frame / off-screen space

19. 10/24/201519 Technical vs. aesthetics What kind of camera? What kind of lighting? What kind of lens? Consumer vs. Prosumer vs. professional cameras How the story is told? ‘Language’ of visual storytelling -- Hollywood style, home movies style, new media style, NPPA / news style ###