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Lights, Action, Camera! An Introduction to Video Technology Film has proven its power to engage us for over 100 years; radio for over 70 years, television for 50, and computer media, the new kid on the block, is proliferating faster than its predecessors Students watch it all. Integrating media production in your curriculum can help you find new access to students and help them find new access to the material. Media production engages and excites; it leads to unexpected discoveries, increased self-awareness and esteem, sharpened critical thinking, analytical skills, group work skills, and ability to communicate ideas. Media production demands writing and rewriting, research, group effort, and clarity of thought. Media production offers a means for students to talk to whomever they think is an important audience. It does all this because students want to say things that have meaning to them - authentic production comes from authentic learning. Andrew Garrison Award Winning Film Maker http://www.medialit.org/ReadingRoom/keyarticles/videobasics.html
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Today’s Objectives Cameras Lighting Audio Composition
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What You Need
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What Else You Will Need Video Communication and Production Jim Stinson ISDN 1-56637-798-6 The Goodheart-Wilcox Company, Inc.
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LightsAction Cameras http://www.howstuffworks.com/camcorder-works.htm
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Key Camera Issues Analog Or Digital? One Chip, Two Chip, Or Three Chip What Type Of Tape? Auto Focus Or Manual Focus
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Additional Camera Issues Eyepiece or LCD Optical and Digital Zoom Built-in Light – External Light Connection Image Stabilization
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Additional Camera Issues Exposure Modes Microphone Connections Resolution LUX Rating
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IEEE 1394 Infrared S-Video Composite Video USB/USB2
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Camera Science Lens Iris and Aperture www.hash.com/users/jsherwood/tutes/focal/focal.html www.hash.com/users/jsherwood/tutes/focal/focal.html www.hash.com/users/jsherwood/tutes/focal/focal.html www.donaldmckay.com/mainSections/big- question.htm www.donaldmckay.com/mainSections/big- question.htm www.donaldmckay.com/mainSections/big- question.htm www.donaldmckay.com/mainSections/big- question.htm www.highend.com/news/fstop.html www.highend.com/news/fstop.html www.highend.com/news/fstop.html www.shortcourses.com/video/index.htm www.shortcourses.com/video/index.htm www.shortcourses.com/video/index.htm Depth of Field Shutter Speed White Balance
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Focal Length Iris Light50 mm Lens If iris diameter is…F-stop is… 25mm 40mm 10mm 2 1.2 5 http://www.usa.canon.com/eflenses/lens101/focallength/
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CameraAction Lights
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Lights First Rule of Lighting Three Point Lighting Key Light Key Light Fill Light Fill Light Backlight Backlight 45 – 45 Rule http://www.arri.com/infodown/light/broch/li_hand.pdf
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Good Three-Point Lighting Tutorial Good Three-Point Lighting Tutorial Good Tutorial Good Tutorial
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LightsCamera Action! Basic Shooting Principles Shooting Like A Pro
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Basic Guidelines Keep the Camera Steady Get A Lot of Light On The Subject Focus On The Action Don’t Zoom Excessively In or Out
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Composition and Framing Wide Shot 2-Shot Head and Waist Shot Head and Shoulder Shot Extreme Close-up
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Composition and Framing Establishing Shot Long Shot Medium Shot Close Up Extreme Close Up Close Up and Extreme Close Up of Person
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Composition and Framing Focus on the Eyes Rule of 3 rds Lead Space Head Room Background Mergers Zooming
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Framing Faces Eyes Ears Profiles Moderate Zoom
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Sound http://www.teamcombooks.com/mp3handbook/17.htm http://www.teamcombooks.com/mp3handbook/17.htm http://www.teamcombooks.com/mp3handbook/17.htm http://www.teamcombooks.com/mp3handbook/17.htm http://www.site4sound.com/encyclopedia/index.html http://www.vcu.edu/idc/selfstudy/monographs/formats.htm
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Types of Microphones OmniDirectional UniDirectional Shotgun
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Other Audio Considerations AGC Headphones Mic Level Signal Line Level Signal Mixers.001 volts 1 volt
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Non-Linear Editors Hardware Software Basic, Entry Level Basic, Entry Level i-moviei-movie U-leadU-lead Video WaveVideo Wave Movie Maker (XP)Movie Maker (XP) Next Level Premier Final Cut Pro 3 Avid Express Pinnacle Edition High End Programs Avid Sphere Edit
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