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presenting sound bump halbritter michigan state university may 12, 2009
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from critique to production
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to critique to production to critique to production to...
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overview What’s Behind Oscar-Worthy Sound Editing? Important terms “Sleep Walk” “Euthanasia” Music Terms “The Shining” “Shining” American Stories, American Solutions (Obama Infomercial) Copyright & Creative Commons Music Resources
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“what’s behind oscar-worthy sound editing?” sound editor Lon Bender discusses his work on Blood Diamond on NPR’s “Day to Day” (February 21, 2007)“Day to Day”
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key terms
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time/temporality diegetic/nondiegetic sound direct sound foley continuity vs. evidentiary editing unification punctuation separation
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time duration transition containment subordinate: sound supports the action super-ordinate: sound controls the action
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“sleep walk” jay allison (genius) caution: f-bomb alert!
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diegetic/nondiegetic sound diegetic sound diegetic sound (a.k.a. actual sound) is a sound that is created by something or someone visible on the screen or whose source is implied to be present by the action of the film.
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direct sound the technique of recording sound simultaneously with the image
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foley The art of recreating incidental sound effects (such as footsteps) in synchronization with the visual component of a movie. Foley sounds are often exaggerated for extra effect - e.g., the loud foley added thuds and slaps of cinematic fight sequences.
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continuity vs. evidentiary editing a continuity cut takes the viewer seamlessly, unobtrusively, and logically from one sequence or scene to another, to propel the narrative along
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continuity vs. evidentiary editing “evidentiary editing organizes cuts within a scene to present the impression of a single, convincing argument supported by a logic” (Nichols 30).Nichols
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unification, punctuation, & separation/silence Michel Chion Audio-Vision: Sound on Screen (1994)
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unification Bridges visual gaps (temporally) (47) “Establishes atmosphere”—[an aural environment] Nondiegetic music is “independent of the notion of real time and space”
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punctuation Elements of the Auditory Setting (EAS) Evidentiary Grammatical
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separation: the sound of silence where there is sound, silence becomes a sound. “Silence is never a neutral emptiness. It is the negative of sound we’ve heard before-hand or imagined; it is the product of a contrast” (Chion 57). Consequently, there are many versions of silence—all contextually bound.
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“euthanasia” jay allison (genius) caution: pathos alert!
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ok, so where are we? What’s Behind Oscar-Worthy Sound Editing? Important terms “Sleep Walk” “Euthanasia” Music Terms “The Shining” “Shining” American Stories, American Solutions (Obama Infomercial) Copyright & Creative Commons Music Resources
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music terms Tempo Energy sustain/continuity/unification punctuation/separation tension release Mood/Attitude Instrumentation Recognizability/Social Memory
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the shining
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music terms Tempo Energy sustain/continuity/unification punctuation/separation tension release Mood/Attitude Instrumentation Recognizability/Social Memory
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shining
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music terms Tempo Energy sustain/continuity/unification punctuation/separation tension release Mood/Attitude Instrumentation Recognizability/Social Memory
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ok, so where are we? What’s Behind Oscar-Worthy Sound Editing? Important terms “Sleep Walk” “Euthanasia” Music Terms “The Shining” “Shining” American Stories, American Solutions (Obama Infomercial) Copyright & Creative Commons Music Resources
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american stories, american solutions obama infomercial
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three groups of editors narrationother soundsmusic
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three groups of editors Questions: What do you hear? What don’t you hear? What is the data/important? Who is “speaking” through this content? What does the data present? How is the data presented? Sound Terms: time & temporality diegetic & nondiegetic sound direct & foley sound continuity & evidentiary editing containment unification punctuation separation
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the final stretch! What’s Behind Oscar-Worthy Sound Editing? Important terms “Sleep Walk” “Euthanasia” Music Terms “The Shining” “Shining” American Stories, American Solutions (Obama Infomercial) Copyright & Creative Commons Music Resources
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copyright & creative commons 3 min overview types of cc licenses
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music sources OWL Multimedia: www.owlmm.comwww.owlmm.com iCompositions: www.icompositions.comwww.icompositions.com Soundclick: http://www.soundclick.com/http://www.soundclick.com/ ccMixter: http://ccmixter.org/view/media/homehttp://ccmixter.org/view/media/home Garage Band (Mac) FL Studio (PC)
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garage band (!) samples
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cheers!
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presenting sound: from critique to production bump halbritter drbump@msu.edu www.msu.edu/~drbump
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