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Realism Chapter 24-4.

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Presentation on theme: "Realism Chapter 24-4."— Presentation transcript:

1 Realism Chapter 24-4

2 Characteristics of Realism
Belief that Literature and Art should depict life as it really was Something of a reaction to the failed revolutions of and loss of idealism Remember…Romanticism was highly idealistic

3 Realism in Literature France: Honore de Balzac (1799-1850)
The Human Comedy: depicts urban society as grasping, amoral, brutal (characterized by Darwinian struggle for wealth and power Gustave Flaubert ( ) Madame Bovary: portrays the provincial middle class as petty, smug, hypocritical

4 Realism in literature France continued
Emile Zola ( ) Germinal: showed the hard life of young miners in southern France Portrayed the seemy, animalistic view of working-class life

5 Realism in Literature: England
George Eliot (Mary Ann Evans) Examined the ways that people are shaped by their class as well as their inner strivings, conflicts, moral choices Tomas Hardy ( ) Tess of the d’Urbervilles: Portrayed a woman who was ostracized for having premarital sex

6 Realism in Literature: Russia
Leo Tolstoy ( ) The greatest Russian Realist Fatalistic view of history BUT regarded love, trust, family ties as life’s enduring values War and Peace: Story of Russian Society during the Napoleonic Wars

7 Realism in Literature: Scandinavia
Henrik Ibsen ( ) Father of Modern Drama His plays examined the conditions of life and issues of morality…often at odds with the Victorian views of the day

8 Realism in Art The most important artists of the 19th and 20th centuries created art for art’s sake This includes the Romantic Period Did not rely on patrons but sold their work to the public Remember: Renaissance and Baroque did depend on patrons: Church, nobility

9 Realism in Art continued
France was still the center of the art world Artists sent their work to the Paris Salon to be judged by a distinguished panel Realists did not idealize life: portrayed life as it really was Ordinary folk became the subjects of many paintings Sometimes work rejected by the Salon because it was too mundane

10 Gustave Courbet coined the term, “realism” The Stone Breakers

11 Francios Millet The Gleaners

12 Honore Daumier Third Class Carriage

13 Edgar Degas Laundry Girls Ironing

14 Edouard Manet Considered the first modernist painter
Bridged realism to impressionism Portrayal of female nudes was shocking! Luncheon on the Grass: park setting. Female nude and two clothed males Olympia: casual nude portrayal of a prosttitute

15 Manet

16 Manet

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