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Published byAudrey Rodgers Modified over 8 years ago
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1600-1750
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Early (1600-1640)- favored homophonic texture (one main melody) Middle (1640-1680)- importance of instrumental music (violin family most popular) Late (1680-1750)- best music known today comes from this period
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Mood- usually expresses one basic mood and remains in that mood throughout the piece Rhythm- patterns heard at the beginning of the piece are usually heard throughout Melody- many are not easy to sing or remember Dynamics- volumes tend to stay constant throughout. When they do shift it is usually sudden
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Alternation between loud and soft volume in a piece of music
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Instead of being in the service of the church, composers now were being employed by the wealthy. Music director- good job and good pay, but no matter what the director had to answer to the patron Jobs for church musicians- churches, processions, concerts, university graduations Jobs for town musicians- clubs, university societies, private homes, coffeehouses, taverns
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Modern orchestral instruments that we still use today were developed during this period Woodwinds became popular- flute, clarinet, bassoon, trumpet, and French horn The entire string family that we know today was developed, including the violin, viols, cello, and double bass.
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Modern keyboard family was also developed including the modern piano. Early Baroque -favored the harpsichord Later Baroque- the piano replaced the harpsichord
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Up to this point composers were considered to be in the service of the church. Now we see composers being employed by the wealthy ruling class- The Patronage System
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Kapellmeister- music director Konezertmeister- concertmaster Kantor- teacher
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The motet continued to be an integral part of the Roman Catholic tradition throughout the Baroque era. Grand motet- contrasted solo voices (accompanied by instruments) with a larger chorus Antiphonal- exchanges between choirs and instruments (Germany)
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