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Published byErica Watson Modified over 8 years ago
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Renaissance Art
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The Italian Renaissance New breakthroughs in art: Linear perspective (mathematical) Chiaroscuro – light and shadow Triangular symmetry (pyramid configuration) Realism Oil paints on stretched canvas
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The Early Renaissance
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Masacio 1401 – 1428 Reality in painting humans Mastery of perspective Using light and shadows correctly
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“The Tribute Money”
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Donatello 1386 – 1466 Sculpture contraposto Clothes draped realistically over the body First freestanding statues since Classical times
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“David”
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Botticelli 1444 – 1510 Art reminiscent of Byzantine art Interested in Classical mythology
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“The Birth of Venus”
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“Primavera”
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The High Renaissance
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Leonardo da Vinci 1452 – 1519 “Renaissance Man” – l’uomo universale Respected and admired Curious about everything Painter, inventor, naturalist, musician Self portrait
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“The Last Supper”
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“Mona Lisa” (La Giaconda)
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“The Virgin of the Rocks”
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“Vitruvian Man” A study in correct proportions – based on geometry
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From Leonardo’s notebooks
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Michelangelo Buonarroti 1475 – 1564 Sculptor Painter Architect “he broke all the rules” Bust done from his death mask
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“The Pieta”
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“The David”
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The Sistine Chapel
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“The Last Judgment”
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The Deluge
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The Libyan Sybil
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The Campidoglio
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The Dome of St. Peter’s
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Raphael Sanzio 1483 – 1520 Most popular of the Renaissance painters (even during his lifetime!) “most completely expressed the qualities of the High Renaissance” ~ pyramidal composition, chiaroscuro, dynamic figures, contraposto Died young (37) Self portrait; age 26
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Madonna’s
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Popes Julius II and Leo X
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“The School of Athens”
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The Northern Renaissance
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Not based on Classical ideals More religious influence Realism; paintings of daily life Oil paints – allows for more realistic paintings Atmospheric perspective
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Jan Van Eyck 1390 – 1441 Trained as an illuminator of manuscripts – paintings are incredibly detailed
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“ Man in a Turban” Possibly a self- portrait
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“The Arnolfi Wedding”
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Detail from “The Arnolfi Wedding”
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This Van Eyck “Annunciation” is a painting, not a sculpture!
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Pieter Breughel the Elder c. 1525 – 1569 Many of his paintings are accurate portrayals of peasant life Portraits of people sometimes look like caricatures Use of atmospheric perspective
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“Hunters in the Snow”
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“Peasant Wedding”
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Hans Holbein the Younger 1497 – 1543 German who did most of his paintings in England Realistic portraits Use of symbolism
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“The Ambassadors”
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English Royal Portraits
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Thomas More and Erasmus
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Albrecht Durer 1471 – 1528 First Northern Renaissance artist to be considered a true “Renaissance Man” Art should be based on scientific observation Published articles on perspective Woodcuts and graphic art Fascinated with self portraits
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Self portraits
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“Venetian Woman”
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“The Praying Hands”
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