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Published byAubrie McKinney Modified over 8 years ago
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Painterly vs. Linear
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Self Portrait (with Black Beret), 1660 Rembrandt
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The Starry Night, 1889 Vincent van Gogh
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Evangelist Mathaus and Angel, 1661 Rembrandt
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Musee d’Orsay, 1876 Renior
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Stop, 2008 Andrew Wyeth
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Paint applied in a less-controlled manner No closely drawn (guide)lines to follow/fill in Visible brushstrokes Separation in transition of hues/tones – impulsive application of color Dyanism – energy or movement can be felt
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Birth of Venus, 1484-86 Botticelli
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Birth of Venus, 1484-86 Botticelli
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Vicomtesse Othnin d Haussonville, 1845 Ingres
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Creates the illusion of 3-dimensionality Modeling of the form and objects Drawing/shading academic rather than impulsive No visible brushstrokes – smooth, rendered image Possible visual outline of forms/objects
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Self Portrait (with Black Beret), 1660 Rembrandt
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