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Biomedical Acoustics: Designing a Probe for In Ear Signal Acquisition and Interpretation of Hearing Health Moises Perez EEN 502 Literature Project Thursday, December 2, 2004
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2 Project Background 1 year design effort: –University of Miami, Dept. Biomedical Engineering –Intelligent Hearing Systems (www.ihsys.com)www.ihsys.com Probe Design ElectricalBiomedicalMechanical
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3 Project Purpose Design ONE probe capable of entering the human ear canal and acquire the following signals: 1.Transient Otoacoustic Emissions (TEOAEs) –Inner hair cell function 2.Tympanograms (TYMPs) –Middle ear function 3.Acoustic Reflexes (ARs) –Middle ear discontinuity and neuronal damage
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4 Why Design and All-in-One Probe? Benefits for the Audiologist: –Efficiency ( ) –Costs ( ) –Error and False Positive Rates ( ) Benefits to the Manufacture: –New concept in diagnostics –$$$
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5 Probe Design Summary Multi-Function Probe Probe Sound Recording Flat to 32 kHz Sound Production Flat click Up to 2 stimuli 100+ dBSPL Pressure System Noiseless Fast Safe
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Sound Recording 1.Flat frequency response up to 32 kHz in free field 2.Equalized response in ear canal
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7 Microphone Selection FG-3329 (Knowles Inc.) –World’s smallest microphone! –Ultrasonic performance –Naturally flat response –High sensitivity –0.9 – 1.6 VDC www.knowles.com
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8 EQ Filter Network Contains 4 major stages: 1. Summing stage with AC coupling 2. Multiple, non-inverting gain stage 3. Band rejection stage 4. Quasi-Band Pass (Q-BP) stage
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9 EQ: Key Points 1 Multiple NI-Gain stage 1.G1 = 2.33 ( 7 dBSPL) 2.G2 = 26.6 ( 28 dBSPL) C2 activates at 387 Hz with R5
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10 EQ: Key Points 2 Band Rejection stage 1. LP+HP = BR 2. f 0 = 2.8 kHz 3. -25 dBSPL Note: meatal resonance Occurs b/w 2.7-3 kHz 584 Hz13,100 Hz
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11 EQ: Key Points 3 Quasi BP stage –Additional gain of 10 (i.e. 20 dBSPL) for all frequencies – Optional high frequency gain boost (i.e. 16-32 kHz) High Pass: Gain Low Pass: Gain
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12 EQ Frequency Response
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Sound Production 1.Flat frequency response for the click stimulus 2.Up to two stimuli w/ 100+ dBSPL output
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14 Receiver Selection FC-3265 – 110 dBSPL average output – Designed for ITE and ITC applications – Flat response to 2 kHz www.knowles.com
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15 Smoothing Filters Consists of: 1. Twin-T notch filter 2. Buffer amplifier stage 3,400 HzNotch Adjust
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Plastics Design 1.Four part design 2.CAD/Rapid Prototyping
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17 Objectives of Plastics Design 1.Smallest possible design 2.Capable of housing all FOUR components 3.Sufficient isolation to protect from crosstalk 4.Easy assembly for the removal of the disposable tip 5.Looks good!
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18 Probe Design CAD: Pro Engineer 2001/Wildfire Animation: 3ds max 6
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19 Probe Prototype Rapid Prototype: Stratasys® Prodigy Plus Problem: ABS material from RP too porous, causing signal leaks Solution: Encase the probe with glue for tight seal
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Results 1.TEOAE 2.TYMPs 3.ARs
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21 TEOAE Testing Important: 1.Audio “fingerprint” 2.1 ms time jump on the 10D
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22 TYMP Testing Important: 1.Peak ear volume (admittance) at 0 daPa in healthy ear 2.Three trials of pressure and vacuum were taken
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23 AR Testing Comparisons with the literature (Wiley and Fowler, 1997)
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24 Conclusion Design ONE probe capable of entering the human ear canal and acquire: –OAEs –TYMPS –Acoustic Reflexes Successful
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25 Future Work Improve Performance Better prototyping materials Lower acoustic noise floors More microphones? Portability Smaller design Smaller pump system Faster pump Handheld operation
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