1. Class 8 Guitar I and II - Blues Only 12 – Bar Blues in A Blues backup like Chuck Berry Blues Scale in 5 th position Difference between straight time and shuffle time What blues is and what it isn’t Variations of 12 barre for Guitar II Barre forms for 12 barre blues Other Patterns. For Wed class effects

2. What is the blues? Class discussion.

3. What is the blues? BB King says that “The blues is when your main squeeze left you and you are either down in the dumps or happy to be rid of the …” It is a feeling more than anything but there are patterns and musical traits to the blues. Most common blues progressions are 12 or 24 bar blues but 16 bar and 32 bar do exist. When people get together and jam the first thing that most play is the blues. Blues can be hidden – Santana as an example

7. For Guitar II students!!! 1/8 th notes with a swing. If electric use delay for slap-back. Fingering 2 2 1 1 2 2 3 3 4 4 3 3 2 2 1 1 Same pattern for all of this.

8. Read In Guitar Reference Pages 49-52. Spend most of your time on 49 and try what it says. Take your time. On page 50 work on the chords. Memorize them so that you can play them from memory. Key that you play along with the CD this week!!Key that you play along with the CD this week!!

9. From the Rock Fakebook Play the following songs. –High Heel Sneakers – transpose to A. 105 –Blue Suede Shoes page 31 –Lay Down Sally 164 (Guitar II do figure in bass) –Hound Dog 110

10. Intermediates – do it in 5 th position – in guitar reference. Also, Just add 5 to each number and move them down 1 string. Example, first 2 notes from open 5 th to 5 th fret 5 th string and 4 th string 2 nd fret to 5 th string 7 th fret.

16. Here is how we will start On the A7 chord. Play as 1/8 th notes all down pick. Use your flatpick. Only play the 5 th and 4 th strings – some call this a power chord. Then on the D7 do the same thing but on the 4 th and 3 rd strings. On E7 do the same thing but on the 6 th and 5 th strings.

17. From previous slide Play 4/4||: A7 | | | | D7 | | A7 | | E7 | D7 | A7 | : || Count each measure 1 & 2 & 3 & 4 & Practice this a bit. Intermediates will now go with me to another room. You need to start memorizing this! If you haven’t already done so please read in the guitar reference pages 49-55.

18. Can also use index and middle. Easier to finger but both should be played.

19. Only play the 4 th and 5 th strings on these 2. Play each one 2 times. On the 2 nd one leave the index finger down also.

20. For the D or D7 Chord

21. Same as last one but towards the ground one string. This time only play the 4 th and 3 rd string. You must use a pick for this!!!

23. For E it is the same as A but towards the ceiling one string. Only play the 6 th and 5 th string. Again leave the index finger down for both.

24. Intermediate for A – play 6 th and 5 th strings only. For D it is the 5 th and 4 th strings. For E it is the same as D but at the 7 th fret. This is for guitar II students.

25. Capo at Fret #2

30. At first don’t play the chords in brackets. Later on you will be able to add those chords into the piece.

31. This song is a straight blues. No shuffle!! Play it with the Chuck Berry background.

32. Johnny B. Goode Detailed explanation Guitar II bonus.

33. The A Mixolydian Mode is the same as a D major scale but starting on the 5 th degree of the scale. So instead of starting on the 5 th fret of the 4 th string start on the 5 th fret of the 6 th string. This is the scale that Chuck Berry uses for the runs in Johnny B. Goode. 5 th fret

34. Slide with 2 nd finger Up to the 6 th fret. Most Slide from 4 th to 6 th fret This is on the 5 th fret, 5 th position with the form similar to the 1 st position ‘F’ chord. Hammer 5 to 6. Slide with 3 rd finger ½ Barred from 6 to 7 th fret. Slide 4 th to 6 th fret Slide 4 th to 5 th fret with a ½ Barre across the 1 st & 2 nd String A Mixolydian mode descending This time you barre with the ring Finger at the 7 th fret across the 4 th and 5 th strings and slide from the 6 th fret. Same basic rhythm as previously. Here it is best to start with just the top note and add in the others later. Switch here to 4 th position. Slide or bend up from the 8 th to the 9 th fret. Use your ring finger for this This is a double stop. You can just play the 2 nd string or do the double stop at any Point where the 2 nd fret 5 th string is played. Hold the ½ barre A at the 5 th fret through the majority of this song. Just take your first position F and move it up to the 5 th fret for this. On recording there isn’t a slide here.

35. Move to 4 th position. The 6 to 4 is a pull off Slide to 9 th fret from either the 8 th or The 7 th fret. Or you can bend the note from the 7 th or The 8 th fret. This is the most difficult part of this intro. This is an ‘A’ mixolydian mode from her until the first beat of the last measure of This line. Just starts on different notes. An A mixolydian mode from the 1 st string 5 th fret descending to the 1 st string 7 th fret Descending. This is a rake. Hold the A chord down and brush the pick down the strings. To keep the 3 rd string from sounding just lightly touch the 3 rd string with the middle finger – no pressure. Same as before only twice as fast. This part is not played the same each time. Note that it can be played many ways.

37. Now work on it Take this piece one measure at a time. Play each measure slowly until you can play it perfectly. The entire piece is based off of the chord form and the A mixolydian mode. Work on this with doing the backing of the song on tape or by getting together with someone else. Once you learn it, work on variations to make it partly your own!! Use these ideas in solo’s of your own. Listen to the original recording. It is in the key of Bb which is up 1 fret from this version.

38. This song is a shuffle. Listen to the Cd To get the feeling of a shuffle.

39. Now we will add in tacits to this song. Each chord during the chorus will have 1 measure of the chord then 1 strum in the next measure, then stop the sound for 3 beats (tacit) until the next chord. Just do it on the chorus section. Another straight feel but not a blues.

40. Play 1 chord each measure for the 1 st line and then do shuffle for the rest of the progression until the A comes around again then do the same thing.

42. Some Songs with this technique Following are a couple of songs using the blues backup technique. Heard John Mayer this week. Did 2 songs with this type of backup.

44. Now we will add in tacits to this song. Each chord during the chorus will have 1 measure of the chord then 1 strum in the next measure, then stop the sound for 3 beats (tacit) until the next chord. Just do it on the chorus section. Best to use version in book!!

46. From Book Hound Dog, page 110 Blue Suede Shoes, page 31 Some Kind of Wonderful, page 257 High Heel Sneakers, page 105 Lay Down Sally, page 165

52. An 8 bar blues. Chords embedded

53. 1 2 3 B7 4 X 0 The B7 Chord Notice how the first 3 fingers are very close to what a D7 is only on on other strings. Get those fingers down first and then add in the 4 th finger. You will need this chord for Secret Agent Man 1 1 1 3 B7 Guitar II 4

55. Pride and Joy Power Trio Blues and Rock Start by learning the chords. Do these in 1 st position.

59. Leadbelly Selected songs and backup

62. Chords Other than the B7 do them in 1 st position. For the B7 do the A7 form at the 2 nd fret. Notice the change in time towards the end of the piece from 4/4 to 2/4 back to 4/4 time. Best to feel this rather than try to count it. Backup is a great blues lick – Leadbelly did this on the 12 string guitar and very rough. Backup can be used for many songs.

67. Here play the B7 as a A form of CAGED for the 1 st beat then barre just the 2 nd, 3 rd, and 4 th strings at the 4 th fret for the rest of the measure.

70. Song in ¾ time. Chords repeat over and over.

71. Johnny Cash An American Rebel

81. Some Selected Songs Biggest hits were: –I Walk The Line –Folsum Prison –Ring Of Fire –Long Black Veil –Boy Named Sue Will concentrate on those songs.

84. Rhythm and Bass Basic strum is bass then down-up. ¼ note to 2 1/8 th notes. Connect chords by walking the bass: –E7 to A. Open 6 th, E Chord, 6 th string 2 nd fret, 6 th string 4 th fret to an A chord (open 5 th to the chord). –For A to D same thing but on the 5 th strings. Open 5 th, A Chord, 5 th string 2 nd fret, 5 th string 4 th fret to an D chord (open D th to the chord).

87. Next slide has bass part Ray played this on piano. Fender Rhodes sound. If in a band have guitar and bass double this part. This outlines 3 notes of the chord, the root, 5 th and b7 of each chord.

88. Play in 1 st position

89. Secondary Melodic Idea This happens every other time. It is a rhythmic figure comprised of the root and the b7 of each chord. 1 st one is in 1 st position, 2 nd is up at 7 th position. Either work fine.

90. This is a backup part. Could also do an octave higher.

92. The fill at the end 2 ways to play. It is just an E7 arpeggio Same idea as ending line to “I Feel Fine” by James Brown and Jose Feliciano’s version of “Light My Fire”. Again the Chord rules.