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The Harlem Renaissance And “The New Negro”. Into Bondage, Aaron Douglas.

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Presentation on theme: "The Harlem Renaissance And “The New Negro”. Into Bondage, Aaron Douglas."— Presentation transcript:

1 The Harlem Renaissance And “The New Negro”

2 Into Bondage, Aaron Douglas

3 Aaron Douglas, Idylls of the Deep South, 1934

4 Cafe, William H. Johnson

5 The Janitor who Paints, Palmer Hayden

6 William H. Johnson, Lamentation

7 Street Life – Harlem William H. Johnson

8 Going to Church William H. Johnson

9 Loïs Mailou Jones Buddha, 1927

10 Loïs Mailou Jones The Flight of Love, 1923

11 Loïs Mailou Jones Female Figure, 1927

12 Loïs Mailou Jones Negro Youth, 1929

13 Les Fétiches, Lois Mailou Jones, 1938

14 Loïs Mailou Jones Negro Shack I, Sedalia, North Carolina, 1930

15 Aaron Douglas, Idylls of the Deep South, 1934

16 Lenox Avenue Sargent Johnson

17 Archibald J. Motley Jr Blues 1929

18 James Van Derzee Alpha Phi Alpha Basketball Team, 1926

19 Harlem Couple, James Van Derzee

20 Zora Neale Hurston, "How it Feels to be Colored Me"... When I sit in the drafty basement that is The New World Cabaret with a white person, my color comes. We enter chatting about any little nothing that we have in common and are seated by the jazz waiters. In the abrupt way that jazz orchestras have, this one plunges into a number. It loses no time in circumlocutions, but gets right down to business. It constricts the thorax and splits the heart with its tempo and narcotic harmonies. This orchestra grows rambunctious, rears on its legs and attacks the tonal veil with primitive fury, rending it, clawing it until it breaks through to the jungle beyond. I follow those heathen--follow them exultingly. I dance wildly inside myself: I yell within, I whoop; I shake my assegai above my head, I hurl it true to the mark yeeeeeoww! I am in the jungle and living in the jungle way. My face is painted red and yellow and my body is painted blue. My pulse is throbbing like a war drum. I want to slaughter something--give pain, give death--to what, I do not know. But the piece ends. The men of the orchestra wipe their lips and rest their fingers. I creep back slowly to the veneer we call civilization with the last tone and find the white friend sitting motionelss in his seat, smoking calmly. "Good music they have here," he remarks, drumming the table with his fingertips. Music. The great blobs of purple and red emotion have not touched him. He has only heard what I felt. He is far away and I see him but dimly across the ocean and the continent that have fallen between us. He is so pale with his whiteness then and I am so colored.


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