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Translated by Charles W. Kennedy
The Wanderer Translated by Charles W. Kennedy
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The Wanderer This work is considered the most nearly perfect in form and feeling of all the surviving Old English poems.
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The Wanderer Dates back to 700 AD when Scandinavia was in upheaval. Immigrants used songs and poems to keep their homelands “alive.”
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Exile = separation from one’s home or native country
For an Anglo-Saxon warrior this meant losing his Lord and his mead hall.
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a word meaning “wretch, stranger, unhappy man, and wanderer”
Wraecca a word meaning “wretch, stranger, unhappy man, and wanderer”
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Literary Terms you need to know
Stoicism Tone Litotes Motif
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Stoicism a state where a human does not show or feel any emotion – completely indifferent, not just hiding feelings
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Tone the attitude of a literary work toward its subject and the audience (formal vs. informal, humorous vs. serious)
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Litotes a characteristic figure of speech in Old English poetry – a form of understatement in which a thing is affirmed by stating the negative of its opposite (think double negative) (ie. She was not unkind = She was kind)
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Motif a recurring literary element that serves as the basis for expanding the narrative (music – When it is heard, the couple falls in love.)
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First motif found in The Wanderer
Ubi sunt que ante nos fuerunt? (Latin for – Where are they who before us went?) Lines 90 – 94 They are nostalgic or seeking the past.
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Second motif found in The Wanderer
Mutability = the inevitability of change. Things are going to change. This is at odds with the concept of nostalgia. As a result, this poem has 2 conflicting motifs in action.
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The Wanderer in a nutshell
A stoic wraecca is at sea remembering the mead hall and his lost life.
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Reading Poetry – in general
Don’t stop at the end of a line, stop at the punctuation mark. The end of the line has to do with the “beat” of the line; it has nothing to do with the “meaning” of the line. Reading to the punctuation mark is called enjambment.
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