1. ART

2. RENAISSANCE 16 th c. Figures from the Bible, classical history, mythology, commissioned portraits, use of perspective, secular backgrounds and material splendor.

3. BOTTICELLI

4. PRIMIVERA

5. Brunelleschi Florence

6. RAPHAEL SCHOOL OF ATHENS

7. MARRIAGE OF THE VIRGIN

8. MICHAELANGELO

13. DA VINCI

16. BAROQUE Response of Counter Reformation More colorful, richer in texture and decoration Scenes embody mystery and drama, violence and spectacle. Stir emotions and win back defectors. Art for the public consumption

17. baroque

18. Bernini

21. Durer

22. Rembrandt Northern Renaissance/ baroque

24. Northern Realism 17 th century Values: quiet opulence, comfortable, comfortable domesticity, realism Middle class Dutch patrons commission secular works: portraits, still life's, landscapes

25. VERMEER

27. MILLET

28. ‘THE ANGELEUS’

29. ROCOCO ART OF FRENCH ARISTOCRACY PORTRAYING NOBILITY IN SYLVAN SETTINGS OR ORNATE INTERIORS CANDY BOX ART. FRIVOLOUS, DELICATE, ELEGANCE, SWEETNESS

30. BOUCHER ‘The Love Letter”

31. HOGARTH NOON GIN LANE

32. RIGAUD

33. NEO CLASSICISM 18 TH C. A RETURN TO CLASSICAL ANTIQUITY FOR INSPIRATION, SCENES ARE HISTORICAL AND MYTHOLOGICAL APPEAL IS TO INTELLECT NOT THE HEART EMOTIONS ARE RESTRAINED VALUES: REASON, ORDER, BALANCE, REVERANCE FOR ANTIQUITY

35. Ingress

36. ROMANTICISM 19 TH C. REACTION AGAINST COLD AND UNFEELING REASON OF THE ENLIGHTENMENT AND AGAINST THE DESTRUCTION OF NATURE RESULTING FROM THE INDUSTRIAL REVOLUTION STRESS IS ON LIGHT, COLOR, SELF EXPRESSION IN OPPOSITION TO THE EMPHASIS ON LINE AND NEOCLASSICALISM VALUES: EMOTION, FEELING, MORBIDITY, EXOTICISM, MYSTERY.

37. GERICAULT

38. SPEED OF STEAM

39. BURNING OF PARLIAMENT

40. Turner ‘Burial at Sea”

41. GOYA

42. DAUMIER

43. CARTOONIST

44. IMPRESSIONISM ATTEMPT TO PORTRAY THE FLEETING AND TRANSITORY WORLD OF SENSE IMPRESSIONS BASED ON SCIENTIFIC STUDIES OF LIGHT FORMS ARE BATHED IN LIGHT AND ATMOSPHERE COLORS FUSE FROM A DISTANCE VALUES: THE IMMEDIATE, ACCIDENTAL, AND TRANSITORY

45. MONET VENICE

48. SEURAT

49. Toulouse Lautrec

50. RODIN THINKER

51. EXPRESSIONISM 19 TH AND 20 TH C. INDEBTED TO FREUD ART TRIES TO PENETRATE THE FAÇADE OF BOURG. SUPERFICIALITY AND PROBE THE PSYCHE, THAT WHICH LURKS BENEATH AN INDIVIDUAL’S CALM AND ARTIFICAL POSTURE. VALUES: SUBLIMNAL ANXIETY –PICTORAL VIOLENCE…MANIFEST AND LATENT

52. MUNCH

53. DESPERATION

54. Beckman ‘the night’

55. Van Gogh “Starry Night”

58. SURREALISM 20 th c. Also indebted to Freud Explores the dream world and world without logic or reason or meaning The strange encounters between objects Subject often indecipherable in their strangeness Values: the dream sequence, illogic, fantasy

59. Ernst 3 children and a nightingale

60. De Chirico

61. Dali

62. Chagall ‘self portrait w/ seven fingers’ ‘self portrait’

63. POST IMPRESSIONISM GAUGUIN

64. CUBISM No single point of view No continuity or simultaneity of image contour All possible views of subject are compressed into one view of top, sides, front and back Values: a new way of seeing a view of the world as a mosaic of multiple relationships

65. PICASSO

66. STILL LIFE WITH A CHAIR CANNING

68. ABSTRACT EXPRESSIONISM NON REPRESENTATIONAL ART SHAPES, LINES AND COLORS

69. BRAQUE

70. MOORE RECLINING FIGURE

71. ARCHITECTURE HOW DOES IT DEFINE A PERIOD? HOW DOES IT SHOW WHO IS IN POWER? HOW DO ART AND ARCHITECTURE REFLECT THE ECONOMIC INTEREST OF THE PEOPLE?

72. MEDIEVAL GOTHIC GIVES WAY TO GRANDEUR OF BAROQUE(ecclesiastical and royal bldg) 18 th c. gives way to classical and aristocratic style Replaced by romantic, neo-gothic and industrial architec. Of 19thc Blends into the rising bldgs. Of the industrial cities of 20 th c.