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Film Techniques In Violent Films

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Presentation on theme: "Film Techniques In Violent Films"— Presentation transcript:

1 Film Techniques In Violent Films
Technique Focus: Lighting Scene Analysis: Blade Runner

2 Rooftop Confrontation

3 Film Violence Role In This Scene Final confrontation.
Accentuate danger of Deckard’s job. Violence is ultimately anti climactic – felt more strongly because of preceding violence. Impact On Viewers Androids made to appear menacing. Empathy – protagonist is now hunted. Confusion – why doesn’t antagonist finish Deckard off?

4 Film Noir Film Noir, French for black film, is a cinematic term. Traditionally it describes stylish Hollywood crime dramas, particularly those that emphasise cynical attitudes and sexual motivations. Now it is used to describe films that use: Low key lighting A black and white visual style Unbalanced compositions A dark outlook Darkness Long shadows Claustrophobic atmosphere Smoke / mist Neon lights Opacity of vision Silhouettes

5 Low Key Lighting Emphasises darkness and shadows.
Things can’t be seen / seen clearly. Fear, confusion, natural fear of the dark. Hidden enemies. That which has some lighting is foregrounded.

6 Darkness Deeper than Low Key Lighting. Alone, trapped, in danger.
Futility, desperation. This shot – the yawning abyss below, Deckard’s vulnerability.

7 Long Shadows Objects seem bigger, thus more threatening.
Events have more significance and impact. Deckard’s presence obvious, thus he’s in more danger.

8 Neon Lights Unnatural, discordant. Harsh, exposing.
Backdrop to darkness and violence. This shot – keeps viewers’ focus on spot antagonist springs from.

9 Silhouette Antagonist is given power & strength.
Combined with low angle. Intentions, emotions, next move etc unknown. Mysterious, dark, other worldly.

10 Lighting & Violence The lighting made the clash: darker, scarier, more mysterious, and more threatening. Thus viewers found the scene more: confrontational, suspenseful, and were surprised the antagonist didn’t attack.


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