1. Functions of Film Scoring

2.  Intensify or relax the pace of the film  "JFK" opening credits (John Williams) "JFK" opening credits (John Williams)  Create an atmosphere of time & place  "Ben Hur" opening credits (by Miklos Rosza) "Ben Hur" opening credits (by Miklos Rosza)  "Planet of the Apes" (Jerry Goldsmith) "Planet of the Apes" (Jerry Goldsmith)  Hit the Action (Mickey-Mousing)  "Ben Hur" (Miklos Rosza) "Ben Hur" (Miklos Rosza)  "Indiana Jones" Spielberg explanation "Indiana Jones" Spielberg explanation  "Indiana Jones and the Last Crusade" with Music (John Williams) "Indiana Jones and the Last Crusade" with Music (John Williams)

3.  Provide insight into a scene  "The Adventures of Robin Hood" (Erich Korngold) "The Adventures of Robin Hood" (Erich Korngold)  Create “unspoken” thoughts of a character or unseen implications of a situation  "Ben Hur" (Miklos Rosza) "Ben Hur" (Miklos Rosza)

4.  Source Music (Diegetic Music): Coming from on-screen– a performance, the radio, etc.  "Ferris Bueller's Day Off" "Ferris Bueller's Day Off"  Provide unity or coherence to a story  Individual Films or Film Series  "Star Wars" (John Williams) "Star Wars" (John Williams)  Character Themes  "Indiana Jones" (John Williams) "Indiana Jones" (John Williams)  Style & Main Theme  James Bond Theme (Henry Mancini) James Bond Theme (Henry Mancini)

5.  Play against the action  Stress the psychological subtext or actions  "Platoon" (Barber's Adagio for Strings) 1:30 "Platoon" (Barber's Adagio for Strings) 1:30  Go Beyond the action  Reflect Emotion  "The Good, The Bad, and the Ugly" (Ennio Morricone) 75 "The Good, The Bad, and the Ugly" (Ennio Morricone) 75  Speed Up or Slow Down Scenes  Neutral Background Filler