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Published byChristopher Haynes Modified over 9 years ago
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15 TH CENTURY EUROPEAN ART CHAPTER 18
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FULLY IDENTIFY
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A. B.
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FULLY IDENTIFY
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EARLY RENAISSANCE John the Good, Philip the Bold, John the Fearless, Philip the Good, Charles the Bold Duke of Burgundy – Mixing alliances with England and France Roger van der Weyden, Jan van Eyck, and Robert Campin
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MERODE ALTARPIECE (OPEN) Robert Campin (Master of Flemalle)Center panel 2’1”x 3’ 1425-1428Metropolitan Museum of Art Oil on Wood
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MERODE ALTARPIECE (ANNUNCIATION) Robert Campin (Master of Flemalle)
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LEFT AND RIGHT PANELS, MERODE ALTARPIECE MARGERETE SCRYNMAKERS AND PETER INGELBRECHT
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DETAIL OF MERODE ALTARPIECE
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ST. VERONICA DISPLAYING THE SUDARIUM Robert Campin 1430 Oil on wood
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GHENT ALTARPIECE (OPEN) Jan van Eyck 11’5” x 15’ Oil on Panel Ghent Court Painter of Philip the Good
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GHENT ALTARPIECE (CLOSED) Jan van Eyck 11’5” x 7.5’
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ARNOLFINI PORTRAIT Oil on wood 2’9”x 1’10” Oil on Wood National Gallery, London
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CLOSE-UP OF THE ARNOLFINI PORTRAIT
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GIOVANNI ARNOLFINI
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MAN IN A RED TURBAN Jan van Eyck 1433 Oil on Wood 1’1” x 10”
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Jan van Eyck, The Annunciation, 1434.
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“Hail, full of grace…” “Behold the handmaiden of the Lord.”
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DEPOSITION (NOTRE-DAME HORS-LES-MURS) Roger van der Weyden Center Panel
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DEPOSITION DETAIL Roger van der Weyden
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ANNUNCIATION Roger van der Weyden
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ST. COLUMBA ALTARPIECE Roger van der Weyden 3’ x 9’ 1455 Oil on Panel
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DETAIL OF ST. COLUMBA ALTARPIECE
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PORTRAIT OF A LADY Roger van der Weyden
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