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Working with the Impressionists
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Edouard Manet 1832-1883
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Painting Style –worked with simplified forms with minimal modeling, flat color patches –outlined in black Subject Matter –consisted of contemporary scenes and updated Old masters themes
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The Street Singer, 1862
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The Fifer, 1866
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On the Beach, 1873
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The Bar at the Folies, Bergere 1881-1882
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Monet Painting in His Floating Studio,1874
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Claude Monet 1840-1926
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Born in Paris, France Lived and worked in LeHavre, Argenteuil and Giverny Had a beautiful flower and water garden at Giverny which provided inspiration for his paintings in his later life Tried to capture the light at various times of day
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Subject Matter –Waterlilies –Series on fields of poppies, cliffs, grain stacks, poplars, Rouen Cathedral in London, and Venice scenes
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Technique/Style –Enjoyed painting outdoors –Landscapes and water scenes became his specialty –Painted with pure primary colors; colors were placed side-by-side so the viewer’s eyes would optically mix them at a distance –Loved to use complementary colors for his shadows –Paintings had soft, atmospheric qualities –Brushstrokes were visible in his pieces
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Impressions: Sunrise, 1872
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Rouen Cathedral Full Sun 1892-1894
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Rouen Cathedral Dull Sun 1892-1894
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Blue Waterlilies, 1916-1919
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Grain Stacks, End of Summer 1890
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Waterlilies, Harmony in Green 1899
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Woman with a Parasol 1886
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Pierre-August Renoir 1841-1919
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Born in Limoges, France Painter of fine porcelain at the age of 10 Used these skills to paint on fans, curtains, and movable altars Used light brushstrokes, rosy pinks, and vivid yellows throughout his lifetime which was reflective of his porcelain painting days
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Subject Matter –Happy, fun everyday scenes (genre scenes) –Nudes –Pretty Children –Outdoor Scenes –Flowers –Café Society –Party Scenes
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Style/Technique –Paint palette consisted of rich reds and primary colors –Blues instead of blacks used for shadows –Short brushstrokes of specific colors comprised his paintings –Figures were bathed in light and color
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Le Moulin de la Galette, 1876
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Young Girls at the Piano 1892
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Vase of Roses
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Madame Charpentier and her Children 1878
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Dance in the City 1883
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Edgar Degas 1834-1817
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Born in Paris, France Liked to paint indoors Not found of landscapes Subject Matter racetracks, circuses, the opera, café scenes, ballerinas, women working, bathers
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Style/Technique –Wanted to capture a “moment in time” –Used unusual angles, large empty floor space in the center, and asymmetrical compositions –Used vivid colors or unusual hues for drama or interest –Was the first artist to use pastel drawings as finished pieces –Influenced by photography and the artist, Ingres
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A Cotton Office in New Orleans, 1872-1873
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The Dance Class 1874
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Before the Ballet., 1888
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At the Café Concert, “The Song of the Dog”, 1875-1877
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Laundresses, 1884-1886
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Jockeys Before the Start of the Race 1878-1880
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The Milliner’s Shop, 1922
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Berthe Morisot 1841-1895
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Granddaughter of Fragonard Pupil of Corot Greatly influenced by Manet whom she met in 1868 at the Louvre Married Manet’s brother in 1874 Exhibited with the Impressionists at all exhibits except the fourth one in 1879 due to poor health
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Pictures accepted at the Salon Treated as an equal among the Impressionists Her works were bought for higher prices than her male counterparts in 1875
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Subject Matter –Domestic Scenes –Women and children –Only man she ever painted was her husband, Eugene
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Style/Technique –Used touches of color to indicate form and volume –Style was very free –Brushstrokes were feathery and light –Worked in oils and watercolors
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The Balcony 1872
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Eugene Manet on the Isle of Wight, 1875
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Young Woman in a Party Dress 1879
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Little Girl Reading, 1888
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In a Park, 1874
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The Artist’s Sister at a Window 1869
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Mary Cassatt 1844-1926
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Subject Matter – women and children Pictures are rich with patterns and textures, beautiful brushstrokes and vivid colors Was a close friend of Degas Exhibited with the Impressionists Pioneer among women Supporter of women’s suffrage movement
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Young Mother Sewing 1893
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The Boating Party, 1893-1984
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Little Girl in a Blue Armchair 1878
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Susan on a Balcony Holding a Dog 1880
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The Tea, 1880
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Camille Pissaro 1830-1903
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Born in the West Indies, father was Jewish and mother was Creole Moved to Paris in 1855 Strongly influenced by Corot Met Monet in 1859 and became a regular member of the Impressionist group Only artist to exhibit in all 8 Impressionist shows Enjoyed painting outdoors – rural landscapes and busy Parisian street scenes
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The Stagecoach at Louveciennes, 1870
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The Orchard, 1872
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Entrance to the Village of Voisins, 1872
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The Chestnut Trees at Osny, 1873
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The Shepherdess (Young Peasant Girl with a Stick), 1881
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Haymakers Resting, 1891
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Alfred Sisley 1839-1899
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Born in Paris to English parents Sent to London for a business career by his father but returned in 1862 to become an artist Entered the studio of Gleyre with his father’s support and an allowance Met Renior, Monet, and Bazille at Fleyre Developed an important friendship with Monet
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Subject Matter – landscapes of scenes in and around Paris Lost his father’s support in 1871 due to business failure Lived the rest of his life in poverty Never received the same success as his colleagues
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T he Seine at Bougival in Winter, 1872
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Garden Path in Louveciennes 1873
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Snow at Louveciennes 1874
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Moret-sur-Loing, 1891
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The Canal of Loing at Moret, 1892
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Web Resources www.ibiblio.org/wm/paint Web Museum, Paris www.abcgallery.com Olga’s Gallery www.artcyclopedia.com Artcyclopedia
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