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LECTURE 7: “REPRESENTATION”
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“Cave Paintings,” Lascaux, FRANCE, 15,000 BC
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R E P R E S E N T A T I O N “re” (again) + “present” (to show)
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Rene Magritte, “The Treason of Images,” 1927
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“Selim II Practising Archery,” c. 1570
Nigari, “Selim II Practising Archery,” c. 1570
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“Nefertari and the Goddess Isis,” Ancient Egypt, 1400 BC
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Inuit (Eskimo) Dance Masks, c. 1880
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“St. Denis Commissions His Biography,” from The Life of St. Denis, 1317
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Fra Angelico, “The Annunciation,” 1440-50
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“San Giobbe Altarpiece,” 1480s
Giovanni Bellini, “San Giobbe Altarpiece,” 1480s
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Peter Paul Rubens, “Mars and Rhea Silvia,” 1616
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Gustave Courbet, “The Stone Breakers,” 1849
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Étienne Carjat, “Portrait of Charles Baudelaire,” 1863
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Auguste Rodin, “The Kiss,” 1901-04
Constantin Brancusi, “The Kiss,” 1908
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a process that involves reducing the level of visual realism
A B S T R A C T I O N (noun) a process that involves reducing the level of visual realism
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Theo van Doesburg, studies for “Composition VIII (The Cow),” 1916-17
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Paul Cezanne, “Mont Sainte-Victoire,” 1904-06
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“Violin and Candlestick,” 1910
Georges Braque, “Violin and Candlestick,” 1910
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Ikko Tanaka, “Nihon Buyo Poster,” 1981
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Traditional kilim (Turkish carpet) from İçel Province, TURKEY, 19th century
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Adnan Çoker, Mor dörtgen, 1995
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Alberto Giacometti, “Man and Woman,” 1927
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Wassily Kandinksy, “Composition VII,” 1913
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non-representational (NOT referring to something seen)
A B S T R A C T (adjective) non-representational (NOT referring to something seen)
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Kasimir Malevich, “The Black Square,” 1920s
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Anish Kapoor, works, 2009
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