1. Film 2 Day 1: Camera Angles Mrs. Kelly Brown Rio Seco
The Language of Film
Film 2 Day 1: Camera Angles
Mrs. Kelly Brown
Rio Seco 1

2. Lesson Outcome:
Understand that the positioning of the camera can create and change the meaning of the scene

3. Angles Where the camera will be placed in relation to the subject.
Low-angle, high-angle, and eye-level.

4. Another thing you should consider when observing
A frame is the angle or camera position.
Was the frame shot from high above looking down?
(a high angle shot)
Was it shot at eye level (straight on)?
Was it shot from a low angle (the camera is below its subject) ? 4

5. High Angle Opposite effect of low angle
Camera is above the subject of the shot.
Subjects appear much weaker, smaller, and powerless.

7. A frame shot from a high angle is often referred to as God’s eye view because it suggests that ‘someone’ is observing the characters. It can suggest danger and helplessness. These are high angel shots. 7

8. COMPOSITION OF THE FRAME Camera Angles High angle Psycho (Hitchcock)

9. High Angel Shots Apocalypto 2007-High Angel Shot
The Fountain High Angel Shot 9

10. COMPOSITION OF THE FRAME Camera Angles Low angle

11. Low Angle
Creates the effect of making the subject more significant, dominating, powerful, and in control.
Important for creating stronger characters in your movies.

13. A frame shot from a low angle makes the subject seem larger
A frame shot from a low angle makes the subject seem larger. These are low angel shots being that the camera is below the subject.
Citizen Kane 1941
The Postman Always Rings Twice 1946 13

14. The Dark Knight 2008-Low Angel Shot

15. Inglorious Basterds 2009- Low Angel Shot

16. A character that seems larger than another in a frame is usually the dominant character.
From Double Indemnity 1944
From Letter from an Unknown Woman 1948
From
Gone with the Wind
1939
From Rebecca
1940 16

17. High Angle or Low Angle Shot?
Vertigo, Alfred Hitchcock, 1958 17

18. Eye Level Angle The usual approach in filmmaking.
The camera is at the same level as the subject of the shot.
“Neutral shot”

19. COMPOSITION OF THE FRAME Camera Angles Eye-level or Straight on Rebecca (Alfred Hitchcock, 1940)

21. The Departed 2006-Eye Level Shot

22. Eye-level Shots