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Published byAubrie Bruce Modified over 8 years ago
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Michelangelo 1475-1564
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Michelangelo, Doni Tondo, c. 1507.
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Raphael, Alba Madonna, c. 1511. Oil on panel, transferred to canvas, tondo. 37 ¼ in. in diameter.
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Michelangelo, Sistine Chapel ceiling, 1508- 1512.
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The Last Judgment, detail The Last Judgment, 1534-41
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“It is enough for us to understand that this extraordinary man chose always to refuse to paint anything save the human body in its most beautifully proportioned and perfect forms and in the greatest variety of attitudes, and thereby to express the wide range of the soul’s emotions and joys. He was content to prove himself in the field in which he was superior to all his fellow craftsmen, painting his nudes in the grand manner and displaying his great understanding of the problems of design. Thus he has demonstrated how painting can achieve facility in its chief province: namely, the reproduction of the human form.”—Giorgio Vasari
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Michelangelo, The Fall of Phaethon,1533 Black chalk The Last Judgment, detail
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Judith and Holofernes
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David and Goliath
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The Prophet Isaiah
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Delphic Sibyl
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The Temptation and Expulsion of Adam and Eve
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The Deluge
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The Mocking of Noah
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Libyan Sibyl
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Study for Libyan Sibyl
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Libyan Sibyl, during restoration
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Michelangelo, Sonnet with Caricature
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