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© 2002, The McGraw-Hill Companies Perspective Theory by Brian Curtis © 2002, The McGraw-Hill Companies
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A PowerPoint lecture series to accompany DRAWING FROM OBSERVATION
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© 2002, The McGraw-Hill Companies VISUAL FIELD (Linear Perspective) VISUAL WORLD (Direct Perceptual Experience) Based on the use of only one eye so we see depth through monocular cues. Our eye must look straight out at the horizon, parallel to the ground plane. We can only see things that are within a 45° cone of vision around our line of sight. We normally use two eyes and experience spatial depth binocularly (stereoscopic vision). We are by nature fidgety creatures and we commonly look up, down, and all around. We can actually see out of the corners of our eye (peripheral vision - up to a 200° angle).
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© 2002, The McGraw-Hill Companies VISUAL FIELD (Linear Perspective) VISUAL WORLD (Direct Perceptual Experience) We must stand absolutely still so that our viewing position remains in the same exact spot. We must stare (fixate) straight ahead at a single point throughout the course of the drawing. We generally use side to side movement (parallax) to help determine distance between objects. The eye is the most restless and fickle organ in our entire body and by nature is constantly moving.
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© 2002, The McGraw-Hill Companies VISUAL FIELD (Linear Perspective) VISUAL WORLD (Direct Perceptual Experience) The world by its very nature is in a constant state of flux. We sense the world around us because we are attuned to things changing. We become numb when we are subjected to a constant stimulus. We are actually IN our environment. It is a multi- sensory experience in which sight is only a part. We are not just looking, the world breathes and moves. The entire system is predicated on there not being any change at all. Everything is static, including time. The instant becomes frozen. The basic element of linear perspective is the imaginary picture plane that floats before our eye at 90° to our line of sight. It is the “window” upon which we see all the things in our visual field.
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© 2002, The McGraw-Hill Companies Theory of Ideal Forms
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© 2002, The McGraw-Hill Companies Plato’s Republic
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© 2002, The McGraw-Hill Companies Ever Changing Reality Heraclitus (540-475 BC) Henri Bergson (1859-1941)
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© 2002, The McGraw-Hill Companies Thou shalt not …...
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© 2002, The McGraw-Hill Companies Those who hold images sacred A long and rich tradition
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© 2002, The McGraw-Hill Companies Monocular Cues
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© 2002, The McGraw-Hill Companies
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Alternative Systems of Perspective
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© 2002, The McGraw-Hill Companies
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Brunelleschi Leon Battista Alberti Renaissance Perspective
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© 2002, The McGraw-Hill Companies This concludes the lecture Perspective Theory
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