1. Week Two: The (Unofficial) Countryside Music: “Noon Hill Wood” from Landings by Richard Skelton

2. Justin Hopper Our resources: – www.jackdawshivers.com www.jackdawshivers.com – www.justin-hopper.com www.justin-hopper.com Contact me: – juddy.hopper@gmail.com juddy.hopper@gmail.com – @oldweirdalbion (twitter) – Twitter hashtag: #ReadingRuins

3. Today Introductions and questions Next week’s readings Themes Thoughts on the readings (and next week’s) The Unofficial Countryside Classroom discussion Galleries

4. Hadleigh Castle, 2013

5. Next Week’s Readings

6. Iain Sinclair on Whiteread, from Lights Out for the Territory, as excerpted in Brian Dillon’s book Ruins

7. Rachel Lichtenstein, and excerpt of Sinclair, from Lichtenstein’s book, Rodinsky’s Room

8. Laura Oldfield Ford, from Savage Messiah.

9. Unofficial Countryside: Themes Two kinds of British landscape ruins: – Antiquarian – Edgelands Ruins mediate between ourselves and “time” And between the human-made world and the natural world

10. Readings

13. The (Unofficial) Countryside

14. British Antiquarian Ruins

16. “Last summer, I walked in a field near Avebury where two rough monoliths stand up, sixteen feet high, miraculously patterned with black and orange lichen, remnants of the avenue of stones which led to the Great Circle. A mile away, a green pyramid casts a gigantic shadow. In the hedge, at hand, the white trumpet of a convolvulus turns from its spiral stem, following the sun. In my art I would solve such an equation.”

18. Edgelands

19. On a Ruined Farm near the His Master’s Voice Gramophone Factory - George Orwell, 1934. As I stand at the lichened gate With warring worlds on either hand – To left the black and budless trees, The empty sties, the barns that stand Like tumbling skeletons – and to right The factory-towers, white and clear Like distant, glittering cities seen From a ship’s rail – as I stand here, I feel, and with a sharper pang, My mortal sickness; how I give My heart to weak and stuffless ghosts, And with the living cannot live. The acid smoke has soured the fields, And browned the few and windworn flowers; But there, where steel and concrete soar In dizzy, geometric towers – There, where the tapering cranes sweep round, And great wheels turn, and trains roar by Like strong, low-headed brutes of steel – There is my world, my home; yet why So alien still? For I can neither Dwell in that world, nor turn again To scythe and spade, but only loiter Among the trees the smoke has slain.