1. Film History Silent Film Comedy and The Gold Rush

2. 2 What Is Acting? An art in which an actor uses imagination, intelligence, psychology, memory, vocal technique, facial expressions, body language, and an overall knowledge of the filmmaking process to realize, under the director’s guidance, the character created by the screenwriter.

3. 3 Movie Actors – Four Main Types Personality actors – actors who take their personae from role to role Actors who deliberately play against our expectations of their personae Chameleon actors – actors who seem to be different in every role Nonprofessional actors, cast to bring verisimilitude to a part

4. 4 Early Screen-Acting Styles Adopted the acting style favored in the nineteenth- century theater Exaggerated facial expressions, strained gestures, bombastic mouthing of words

5. 5 The Camera and the Close-up Creates a greater naturalism and intimacy between actors and audience True close-ups isolate an actor, concentrating on the face Active (commenting or reminding us) or passive (revealing an actor’s beauty) Reveals both the process of thinking and the thoughts at its end

6. Mack Sennett Worked in vaudeville, had natural bent for comedy…slapstick comedy Started Keystone Pictures with two other Film Producers

7. Keystone Co. Films Run by Mack Sennett – Learned from Griffith – Assigned to direct comedies approx. 1907 Biograph Most of the major comedy stars and directors worked at one time for Sennett Purely visual gags Relied on improvisation Developed the early careers of Chaplin and Keaton

8. Buster Keaton The General (1926) The Great Stone Face Wrote, Directed his own films

9. Scene from The General (1927) https://www.youtube.com/watch?v=E EDMO8iwLsM

10. Chaplin Film Overview Keystone 1913 $75- $150 week – Made over 35 two reelers, about ten-15 mins Essanay 1915-1916 $75,000 a year – Made about ten films

11. Film Overview Mutual – 1916-1917 $670,000 First National 1918 – $1,000,000 1919 Created United Artists to distribute films with Pickfield, Fairbanks, and Griffith

12. Charles Spencer Chaplin Keystone: Relied on long shot, physical gags, mechanical motion Chaplin was highly structured. Gags defined his character. Tramp costume. Chaplin wanted to develop a style…a character. Used this character repeatedly. Used comedy to make a point Began to direct his own segments himself.

13. The Tramp Comedy to examine social issues Tramp represents the little fellow, outsider, underdog. Yearns for acceptability, love, money, respect. Physical types contrast to tramp: – Brutish men – Part of mainstream society

14. Tramp Women – Metaphor for what is good – See tramp ’ s redeeming qualities Controversial Themes Drug addiction Alcoholism Poverty Hunger Crime Religious hypocrisy

15. Cinematic Style: Auteur Director Director, Star, Editor, Music, Producer Medium shot Unobtrusive editing – Smoothed out the devices used by Griffith Contributions were what he did on film rather than with film

16. Major Chaplin Pictures The Gold Rush (1925) City Lights (1928) Modern Times (1936)

17. The Gold Rush 1925 Comedy and Pathos – Hunger -- Cannibalism (also dog and shoe) – Cruel rejection by Georgia – Ridicule: Tied to dog – Work ethic (works for dinner) – New Year ’ s Eve dinner Happiness of dream sequence contrasted to reality Classic CU shot of sadness/loneliness with contrast of happy dance hall scene

18. Gold Rush Circular structure of Film – Journey to Alaska – The Cabin – Dance Hall – New Year ’ s Eve – Dance Hall – Cabin – Journey Home (Epilogue)

19. The Gold Rush Chaplin ’ s Favorite Film Took over a year to make Cost $970,000 Grossed over $6 Million