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Ancient Greece Background. Government and Politics Greek City States Greek City States –Called a “polis” –Athens and Sparta the most powerful.

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Presentation on theme: "Ancient Greece Background. Government and Politics Greek City States Greek City States –Called a “polis” –Athens and Sparta the most powerful."— Presentation transcript:

1 Ancient Greece Background

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6 Government and Politics Greek City States Greek City States –Called a “polis” –Athens and Sparta the most powerful –Lead to much violence and warring

7 The Good Life Philosophy, Education, and Literature extremely important Philosophy, Education, and Literature extremely important Philosophy derives from Greek word meaning “love of wisdom” Philosophy derives from Greek word meaning “love of wisdom” Stressed learning about the world at large – great advances in science, medicine, art, philosophy Stressed learning about the world at large – great advances in science, medicine, art, philosophy

8 Acropolis

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10 Erechtheum

11 Sculpture

12 Literature

13 Greek Drama Greeks saw drama as more than just entertainment; it was part of religious festivals and designed to contribute to the overall good health of the community Drama and poetry were a type of learning experience for the Greek people – stressed the morals, values, and traditions

14 Greek Drama At the Theatre – –15,00 spectators at a time – –gestures exaggerated and dramatic to be seen – –only men performed and all wore masks and elaborate costumes – –very few props – only used to identify – –open air w/ natural light – –Chorus – groups of people in the orchestra a. danced and chanted between scenes b. commented on the action and expressed social and religious views of the time c. a kind of moral compass, telling the audience what to be thinking and feeling

15 Tragic Hero A Tragic Hero (according to Aristotle) – –Noble stature and greatness   Ex: King, military hero – –Should still be good and honorable   Must be believable, but not perfect   Audience must be able to identify with hero

16 Tragic Hero – –Must experience a downfall due to some error in judgment or character flaw   Hamartia: “tragic flaw”   Often a hero’s hamartia is hubris: overconfidence or overblown pride   He is relatable and a generally “good” character, but never evil   You should feel for the character, but not be completely distraught – –Punishment outweighs the crime

17 Tragic Hero – –Through the hero’s fall, will come awareness and self-discovery – –Audience should not feel depressed afterwards   One function of tragedy is to feel pity, fear and other emotions through catharsis Catharsis: emotional release through reading or watching another experience same emotions

18 Style Tone is over the top and elevated and highly formal in language Tone is over the top and elevated and highly formal in language Traditionally told in the oral tradition, which means they were memorized and sung along to musical accompaniment, usually a harp Traditionally told in the oral tradition, which means they were memorized and sung along to musical accompaniment, usually a harp Used repetition again to stay in rhythm and aid memory Used repetition again to stay in rhythm and aid memory Repetition pleased audiences, like a song chorus Repetition pleased audiences, like a song chorus

19 Style Style In Medias Res (in the middle of things) In Medias Res (in the middle of things) –Many major events have already taken place and are later revealed in flashbacks –Audiences were already familiar with the story, only needed to develop theme The Invocation of the Muse The Invocation of the Muse –Muses are nine goddesses who were believed to preside over the arts and sciences –Sophocles calls on the Muse to inspire him with the material he needs to write the story

20 The Legacy of Greek Literature Archetype – universally understood symbol or character that has been copied over and over again so that audiences know what to expect

21 Archetype Examples The Villain

22 The Hero

23 The Wise Old Man

24 The Damsel in Distress

25 Other Archetypes The Underdog The Underdog The Trickster/Fool The Trickster/Fool The Witch The Witch The Temptress The Temptress The Mother Figure The Mother Figure The Father Figure The Father Figure

26 Gods and Goddesses Zeus (Jupiter) – King of the gods, god of the sky and of thunder

27 Aphrodite (Venus) goddess of love, lust and beauty

28 Apollo (Apollo) god of music, medicine, health and archery god of music, medicine, health and archery

29 Ares (Mars) God of war, murder, and blood shed

30 Athena (Minerva) Goddess of wisdom, warfare, strategy, handicrafts, reason – wife to Zeus Goddess of wisdom, warfare, strategy, handicrafts, reason – wife to Zeus

31 Demeter (Ceres) Goddess of fertility, agriculture, grain, and harvest Goddess of fertility, agriculture, grain, and harvest

32 Dionysus (Bacchus) God of wine, parties, and merriment God of wine, parties, and merriment

33 Artemis (Diana) Goddess of the hunt and of all wild things, and the moon Goddess of the hunt and of all wild things, and the moon

34 Hades (Pluto) God of the underworld and of wealth God of the underworld and of wealth

35 Haphaestus (Vulcan) God of fire and the forge (makes weapons and armor) God of fire and the forge (makes weapons and armor)

36 Hera (Juno) Goddess of marriage, women, childbirth Goddess of marriage, women, childbirth

37 Hermes (Mercury) God of flight, thieves, mischief, commerce God of flight, thieves, mischief, commerce

38 Hestia (Vesta) Goddess of hearth and home Goddess of hearth and home

39 Poseidon (Neptune) God of the sea and of earthquakes God of the sea and of earthquakes


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