1. The Language of Film Film 3 Day 1 Editing and Length of Takes Mrs. Kelly Brown Rio Seco

2. Lesson Outcome: Understand how the editing of different shots can also create and change the meaning of a scene and a film

3. CUT An elliptical cut that appears to be an interruption of a single shot. Either the figures seem to change instantly against a constant background, or the background changes instantly while the figures remain constant

4. DISSOLVE A transition between two shots during which the first image gradually disappears while the second image gradually appears; for a moment the two images blend in. Can be used as a fairly straightforward editing device to link any two scenes, or in more creative ways, for instance to suggest hallucinatory states.

5. CROSSCUTTING, aka PARALLEL EDITING Editing that alternates shots of two or more lines of action occurring in different places, usually simultaneously. The two actions are therefore linked, associating the characters from both lines of action.

6. Editing Terms 1.Cut- a cut is the quickest way to move between images. It looks like and instantaneous change between shots 2.Fade- is when the image seen on the screen slowly fades to black or white or some other color. A fade sometimes shows that time has passed. 3.Dissolve- is when an image on screen slowly fades away while the next image is fading in. Dissolves are used to connect images or to move between images in a smooth, rhythmic fashion. 4. Parallel editing- also called cross-cutting, which is used to cut between scenes that are happening simultaneously but not in the same location. (damsel, train, hero, bad guy etc) 5. Point-of-view editing- this is when an editor tries to show what the character is thinking. (when a trapped man sees a way to escape)

7. Editing Terms for the Length of the Shot Long takes- generally feel as if they unfold in real time, allowing the director to set up the scene realistically. A long take would be longer than 8 seconds, but can be longer than 4-5 minutes. Short takes- are typical in quick-cutting music videos in which a single shot can be less than 1 second. Action films will also use a lot of short takes to create suspense and drama in a fight sequence or car chases.