1. Late 20th Century
Late Modern Art
Part I

7. Abstract Expression aka The New York School

13. “NO CHAOS DAMN IT.” ----Jackson Pollock

14. Pollock, Number 1 (Lavender Mist) 1950

15. Pollock, Number 1 (Lavender Mist) 1950

16. “We favor the simple expression of the complex thought
“We favor the simple expression of the complex thought.” ----Mark Rothko

17. Rothko, No. 14 , 1960

18. Rothko, No. 14 , 1960

19. Rothko, No. 14 , 1960

20. Compare these

21. Questions to Consider What are the dominant colors?
What are the basic shapes?
What is the relationship if the title to the work?
Describe the approach to painting the artists used.

22. Compare these

23. DeKooning, Woman 1,

25. DeKooning, Woman 1,

26. Minimalism

27. M SS NG Thiiief! -----George Swede

28. Judd, Untitled, 1969

29. Judd, Untitled, 1969

36. Lin, Vietnam Veterans Memorial, 1981-1983

37. Lin, Vietnam Veterans Memorial, 1981-1983

38. Lin, Vietnam Veterans Memorial, 1981-1983

39. Lin, Vietnam Veterans Memorial, 1981-1983

40. Lin, Vietnam Veterans Memorial, 1981-1983

41. Pop Art

42. Hamilton, Just What Is It That Makes Today’s Homes so Different, So Appealing, 1956

43. Hamilton, Just What Is It That Makes Today’s Homes so Different, So Appealing, 1956

44. Hamilton, Just What Is It That Makes Today’s Homes so Different, So Appealing, 1956

46. “It was hard to get a painting that was despicable enough so that no one would hang it. Everyone was hanging everything. It was almost acceptable to hang a dripping paint rag.” -----Roy Lichtenstein

47. Lichtenstein, Hopeless, 1963

49. Benday Dots

51. “I think it would be terrific if everyone looked alike
“I think it would be terrific if everyone looked alike. I want everybody to think alike. I think everybody should be a machine.” -----Andy Warhol

52. Warhol, Marilyn Diptych, 1962

53. Earth Art

54. Serra, Tilted Arc, 1981

55. Serra, Tilted Arc, 1981

56. Serra, Tilted Arc, 1981

57. "The viewer becomes aware of himself and of his movement through the plaza. As he moves, the sculpture changes. Contraction and expansion of the sculpture result from the viewer's movement. Step by step the perception not only of the sculpture but of the entire environment changes.“ ---Richard Serra

58. Removed 1989

59. Smithson, Spiral Jetty, 1970, Great Salt Lake, Utah

60. Smithson, Spiral Jetty, 1970, Great Salt Lake, Utah

61. Smithson, Spiral Jetty, 1970, Great Salt Lake, Utah

62. Smithson, Spiral Jetty, 1970, Great Salt Lake, Utah

63. Spiral Jetty 1500 feet long 15 feet wide
Mud, salt crystals, basalt rocks, earth, and water

70. Christo & Jean Claude, Surrounded Island, 1980-1983, Miami, Florida