1. Greek Theatre History The Birth of Drama

2. Prologue: Origins of Drama Between 600-200 B.C. ancient Athenians created an outstanding theatre culture that has lasted 2 millennia and still influences plays today.

3. Prologue: Origins of Drama Only two other periods in theatre history have equaled that in ancient Athens: –Elizabethan England- Shakespeare –20 th Century – 1,000’s of plays and films

4. Cult of Dionysus Dates back to at least 1200 B.C. In Thrace (Northern Greece) a cult worshipped Dionysus- –God of human & agricultural fertility

5. Cult of Dionysus Ritual celebrations –Intoxications, orgies, human/animal sacrifice, hysterical rampages by women called maenads Most controversial practice- –Uninhibited dancing and emotional displays that created altered mental states – ecstasis (ecstasy) –Important release of powerful emotions Cult spread through the tribes of Greece for 6 centuries –Rites of Dionysus became more mainstream and civilized

6. Cult of Dionysus Dithyramb –Key part of the Rite of Dionysus –It was a ode to Dionysus performed by a chorus of 50 men dressed as satyrs Servants of Dionysus –Played drums, lyres, & flutes –Chanted & danced around an effigy (likeness) of Dionysus –Wore phallus-like headgear –Began as a religious ceremony and over time, evolved into stories, drama, and play form.

7. The Main Act: Golden Age of Greek Theater By 600 B.C. Greece was divided into city-states, separate nations, centered around major cities or regions. –Most prominent was Athens –In Athens, Rites of Dionysus evolved into what we know today at theatre

8. Golden Age of Greek Theatre Thespis (of Attica): –Added an actor who interacted with the chorus Called him the protagonist – main character of a drama Thespian: “actor” – derived from Thespis

9. Athenian Drama Competitions 534 B.C.- Ruler of Athens changed the Dionysian Festivals & added drama competitions –Thespis won the 1 st competition –Competition become popular annual event

10. Athenian Drama Competitions Archon- Gov. authority would choose competitors Choregos- Wealthy patrons who financed the productions –In return for funding, the choregos would not pay any taxes for that year

11. Amphitheaters Major theaters were in Delphi, Attica, & Athens -(Theater of Dionysus) Built at foot of the Acropolis –Hill where Parthenon (temple to Athena) is built –Could seat 17,000 people Built at foot of the Acropolis –Hill where Parthenon (temple to Athena) is built –Could seat 17,000 people

12. Greek Theater Diagram

13. Parts of Theater of Dionysus Thymele: altar dedicated to Dionysus placed in the middle Theatron: “seeing place” –Origins of the word “theater” –Slope without any seating Orchestra: “dancing place” –Platform between the raised stage & the audience on which the chorus was situated

14. Parts of Theater of Dionysus Continued… Skene “hut” or “tent” –On the side of the orchestra opposite the audience –Place where actors could retire & change clothes –Eventually was decorated for backdrops for scenes –Place where actors could retire & change clothes –Eventually was decorated for backdrops for scenes

15. Parts of Theater of Dionysus Continued… Deus ex Machina –“God from machine” –Common occurrence in Greek drama was the appearance of a god Actor would descend from air about the stage to the surface of the stage on a crane-like device called a machina (machine) Overuse of gods to resolve difficult dramatic situations led to a contrived (too perfect) ending

16. How Plays Were Performed Annual competitions took most of the day & were spread out over several days Performed in the daytime Used little or no scenery Most action took place on the orchestra –Later action shifts to the stage

17. Greek Actors Wore little or no makeup –Wore masks that exaggerated facial expressions Made of lightweight materials such as bark, cork, leather, and linen Had megaphone structure in the mouth opening of the mask to project the actor’s voice Masks allowed actors to play many parts and change costumes/characters easily Masks were also called personas

18. Greek Actors Continued… Actor wore a long, flowing robe, dyed in symbolic colors- chiton Wore high platform boots called cothurni

19. Greek Chorus Composed of 15 men Had to sing and dance Had five major purposes

20. Purposes of the Greek Chorus 1. Acted as a group character who expressed opinions, gave advice, & threatened to interfere with the action of the play 2. Expressed the author’s point of view & established a standard against which all action s would be judged 3. Acted as the ideal spectator – reacting the way the author wanted the audience to react

21. Purposes of the Greek Chorus Continued… 4. Established mood & heightened dramatic effect 5. Added color, movement, & spectacle

22. Tragedy Between 600-500 B.C., the dithyramb evolved into 2 forms –Tragedy and comedy Tragedy- “tragos” (goat song) –Story intended to teach a religious lesson –Weren’t just plays with bad endings

23. Tragedy Continued… Depicted life voyages of people who steered themselves on collision courses with society, life’s rules, or fate –Tragic protagonist who refuse to give in to fate (because of weakness or strength) Hubris: Protagonist’s main fault – arrogance –Ex. Oedipus Rex

24. Tragic Form Aeschylus: the first playwright –1. Turned the dithyramb into drama –2. Added a second actor (antagonist) to interact with the 1 st –3. Introduced props and scenery –4. His masterpiece-Oresteia – legend of Agamemnon, Greek war hero, who murdered his wife, Clytemnestra, and the pursuit of justice by his kids

25. Tragic Form 1.Prologue (prologos)-described the situation & set the scene 2.Parados-Ode sung by chorus as it made its entrance on the paradoi 3.Five dramatic scenes/episodes-Action performed by the characters 4.Each followed by a stasimon/ode- exchange of laments between chorus & protagonist -strophe and antistrophe (odes) 4. Exodus- chorus sings final lines while it exits the stage (climax & conclusion)

26. Tragic Form Continued … Often presented in trilogies with satyr plays between each –Men dressed as satyrs making fun of their surroundings (birth of satire)

27. Aristotle Said… Tragedy’s main purpose was to arouse the audience in fear & emotion, & by doing so, purge the audience of those feelings –Catharsis

28. Periclean Age Aeschylus’ death marked a period in which the arts and democracy flourished –456 B.C.

29. Sophocles Sophocles defeated Aeschylus at City Dionysia (theatre festival) 468 B.C. Added a third actor to the tragedy Emphasized the drama between humans rather than gods and humans Used irony in his plays Oedipus trilogy

30. Oedipus Trilogy by Sophocles Oedipus the King (Oedipus Rex) Oedipus at Colonnus Antigone * All are about the folly of arrogance & the wisdom of accepting fate

31. Euripides 480-406 B.C. His point of view resembled the attitude of people today Not about gods or royalty but REAL people –Gave feelings of peasants & princes equal weight Portrays society’s forgotten: women, slaves, aged Added the prologue – set the stage for the play & deus ex machina Trojan Women- anti-war masterpiece

32. Comedy Cast molds for many Roman, Elizabethan, and modern comedies

33. Old Comedy (Satires) -Aristophanes Made the opening chorus into the playwright’s address to the audience Humorous opinion piece that made fun of the gods “Sacred cows” were attacked (warriors, youth, intellectuals)

34. New Comedy Menander - Aimed more toward common people & less concerned with religious origins Mistaken identity, ironic situations, ordinary characters, & wit Less use of orchestra & more use of upper staging Menander’s characters were ordinary people- much like later comedy –Classic archetypes – grouchy old man (The Grouch)

35. The Final Curtain 406 B.C. (Sophocles’ death) golden era of Greek drama was waning –Overrun by Spartans, constant warring with other city-states, and dominated by Alexander the Great *Would not return to the same creative heights for 2 centuries- Elizabethan England