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Film and Literature Terms
(Yes, you will need to take notes)
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General Terms Shot Scene Montage Storyboard
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Shot A basic unit of film An unbroken strip of film that is unedited
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Kinds of Shots Long shot Medium (Mid) shot Close Up Reverse Shot
Subjective Shot/Point of View Shot Low angle High angle
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Long Shot Usually but not always, the starting shot of a film
An overall view of the entire scene Think of it as watching a play Sets the scene When looking at a person you will see their entire body
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Examples of Long Shots Long Shot from Eyes Wide Shut
Long Shot from Titanic Long Shot from Men in Black
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Medium (Mid) Shot A shot from a middle distance (fairly close)
Focuses on the subject but also can give background information On a person this will show the individual from the knees or waist up
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Medium (Mid) Shot Mid Shot from 30 Rock Mid Shot from The Wizard of Oz
Mid shot from The Pursuit of Happiness
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Close Up Focuses on the individuals face
Meant to show expressions or reactions Provides a detailed view On a person this shot shows a persons head or head and shoulders
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Close Ups Close up from Harry Potter Close up from Avatar
Close up from The Color of Paradise
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Reverse shot Two or more shots edited together
Used to alternate between characters May be used for conversations
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Monster's Inc. Reverse Shot
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Subjective or POV (point of view) Shot
Created to allow the audience to see the scene from a characters view point Places the camera where the characters eyes would be Allows the audience to see what the character sees
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Subjective POV Shot
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Subjective POV Peking Opera Blues
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Montage A type of editing in which several, discontinuous or unrelated clips are brought together This is used to compress time (bring everything together) Linked through similar sound or music Used to show the relationship between shots Created by Soviet film makers
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Montage Montage from Rocky V
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Types of Camera Angles Low Angle High Angle Birds-eye View
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Low Angle Filmed from below
The camera is low and shoots in an upward direction Used to make the audience feel like they are below the object of focus (smaller in size) Low Angle Shot from Alice in Wonderland
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High Angle Filmed from above
The camera shoots from a high point facing downward Used to make the audience feel as though they are above the object in focus (larger than) High Angle camera shot from The Godfather
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High Angle and Low Angle
Example of High and Low Angle shots in Scrubs
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Bird’s-Eye View A shot done from an overhead view point
This shot puts the audience in an “all-knowing”, “all-seeing” position Has the ability to make objects look insignificant
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Bird’s-Eye View Bird’s-Eye View of the Bellagio Hotel
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Camera Movements Pan Tilt Tracking/Dolly
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Pan A fixed camera moves horizontally from left to right or right to left The camera is stationary (DOES NOT MOVE) Used to illustrate the need for a quick decision due to a character’s lack of time Mimics a moving head
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Pan Traffic
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Tilt Taken from a stationary camera set at an angle or “tilt”
Focuses on vertical movement (up and down or down and up) Camera DOES NOT MOVE
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Tilt Besieged
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Tracking/Dolly A moving camera that is mounted on a tracker
Used to follow a characters actions or movements Creates a sense of relationship with the character because the audience moves WITH them
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Tracking/Dolly
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Editing Cut Fade Dissolve Iris Freeze Frame Superimposition
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Cut To edit a shot A simple break where two shots are joined together
Dancer in the Dark
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Types of Cuts Jump Cut Cross cut
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Jump Cut An abrupt transition between shots
This cut is used to illustrate breaks in continuity Used to illustrate the difficulty of telling a complex story in film This type of film cut is mostly associated with music videos and alternative film making (Indy Films)
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Jump Clip Dancer in the Dark
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Cross Cut Cutting back and forth between two or more separate scenes
This suggests that the events occur at the same time Used to heighten tension and suspense
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Cross Cut Yi Yi
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Fade Gradual darkening of the image until it becomes black (Fade Out)
Gradual brightening of darkness until it becomes visible (Fade In)
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Fade out and fade in example
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Dissolve Fading out on one shot while fading in on another shot at the same time The first shot will gradually disappear as the second shot gradually appears For a few seconds, the two clips will be superimposed
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Dissolve The Stendhal Syndrome
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Iris Rarely used in contemporary film (current day)
Often used in silent films The camera lens gradually opens or closes over the scene Meant to mimic when the iris of the eye opens and closes to widen or narrow an image This will be signified by blackness around the edges of the scene
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Iris Neighbors
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Freeze Frame Single frame that is reprinted a number of times
This gives the illusion of a still photo rather than a moving film clip Mimics a stop or freeze in time
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Superimposition Does not signify a transition in film
Used to allow an actor to appear simultaneously as two characters in a scene
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Superimposition Example in Forest Gump Neighbors
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Sound Soundtrack Score Sound Effects Voice-Over
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Soundtrack The dialogue and sound effects of a scene
Should indicate something that the images don’t (usually emotion or feelings)
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Score The musical soundtrack of a film
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Sound Effects Sounds added to provide realism
All sounds that are neither dialogue (talking) or soundtrack (music)
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Voice-Over Spoken word placed over the film and dialogue
Is not filmed at the same time as the clip it is used over Often used to convey a character’s thoughts or memories This is often used in biography or film noire films
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Voice-Over Ice Storm
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Storyboard A graphic organizer for film Resembles a comic book
A series of sketches that lays out the set-ups of the shots Helps the film-maker visualize a film before it is made Each sketch identifies: Kind of shot Angle Description of the shot How long the shot will be
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Storyboard
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