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18 th Century Art in Europe and the Americas
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Grasp the essential intellectual thrusts of the Enlightenment. Become familiar with the basic ideas underlying Neoclassicism and Romanticism. See how Neoclassicism and Romanticism differ. See what elements Neoclassicism and Romanticism share.
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Scientific Revolution (16 th ) Glorious Revolution (17 th ) Industrial Revolution (18 th ) American Revolution (18 th ) French Revolution (18 th & 19 th )
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Age of Reason Reaches its height in mid-1700’s Influenced by Scientific Revolution Belief in progress through reason, a better society was possible
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John Locke Natural Rights: Life, Liberty, and The Pursuit of Property Montesquieu 3 Branches of Government Diderot Encylopedea Voltaire Civil Liberties Freedom of Religion Freedom of Speech ENLIGHTENMENT
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“Style of Louis XV” Rococo = coquillage +rocaille (shells & stones) Difference between Baroque & Rococo: B: Theatrical, Grand-Scale, Dramatic R: Intimate, Playful, Tender, Whimsical Pastel Colors predominate art
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Rise of Rococo when Louis XIV dies aristocracy leave Versailles Build elegant town houses (hotels) Designed for private living “Age of Aristocrats” Focus on interior layout & décor (decorative arts) Concerned with intimate settings & individual styles Spreads to aristocracy throughout Europe
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“14 Auxiliary Saints” Complex arrangement of curved shapes NO straight lines Combination of painting, sculpture, and architecture
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Church of the Vierzehnheiligen Johann Balthasar Neumann 1743-72
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Jean-Antoine Watteau Original Gangsta of French Rococo Studied Rubens and Giorgione Pilgrimage to the Island of Cythera Fete-Galante Elegant outdoor entertainment
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RUBENS
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Francois Boucher Worked in Versailles Best known for his mythological scenes Goddess of love = Center Giant Shell Style similar to Rubens
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Triumph of Venus Francois Boucher 1740
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Jean-Honore Fragonard Commissioned by Madame du Barry Louis XV’s last mistress The Meeting Secret Encounter Entertaining Subject Lush Painting
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The Meeting Jean-Honore Fragonard 1771-73
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French Portrait Painters moved towards naturalistic poses Informal Marie-Louise-Elisabeth Vigee-Lebrun Queen’s personal portrait painter Meant to counter her image as selfish and extravagant
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Portrait of Marie Antoinette Marie-Louise-Elisabeth Vigee-Lebrun 1787
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William Hogarth Believed art should contribute to the improvement of society Moralizing tales Marriage based on love rather than aristocratic intrigue Couple on the couch
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The Marriage Contract William Hogarth 1743
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Enlightenment Inspired Industrial Revolution Inspired Caravaggio Inspired Really just inspired!!!
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An Experiment Joseph Wright 1768
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Sir Joshua Reynolds Miss Elizabeth Ingram. 1757. Sir Joshua Reynolds Sir Joshua Reynolds was the most important and influential of 18th century English painters, specializing in portraits and promoting the "Grand Style" in painting which depended on idealization of the imperfect.
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Sir Joshua Reynolds Portrait Of Richard Peers Symons 1770. ENGLISH NEOCLASSICAL
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Mrs. Richard Brinsley Thomas Gainsborough 1787. English NEOCLASSICAL
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Thomas Gainsborough The Blue Boy 1770 ENGLISH NEOCLASSICAL
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Sir Joshua ReynoldsThomas Gainsborough
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Rococo V. Neoclassicism V. Romanticism Sensuous Simple/Restrained Imagination/Emotions Roughly 1750 to 1850 Art reflects “the glory that was Greece, and the grandeur that was Rome” (Poe) Sought to revive the ideals of ancient Greek and Roman art Reacted against the ornate, artificiality of the Rococo Period Reflects reason & logic of Enlightenment Inspired by Pompeii 1738
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Jacques Louis David Jean-Auguste Dominique Ingres Élisabeth Louise Vigée-Lebrun Adélaïde Labille-Guiard N E O C L A S S I C A L William Hogarth Sir Joshua Reynolds Thomas Gainsborough Benjamin West John Singleton Copley Gilbert Stuart AMERICAN ENGLISH FRENCH
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History Painting = Highest form of artistic endeavor Exemplified “Good Mother”
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Cornelia Pointing to Her Children as Her Treasures Angelica Kauffmann1785. NEOCLASSICAL
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Reaction against Rococo Return to moral austerity Inspired by Palladio’s Villa Rotunda Ornate interior…Ironic???
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Andrea Palladio Villa Rotonda, c1566. HIGH ITALIAN RENAISSANCE Richard Boyle (Lord Burlington) Chiswick House, c1729. ENGLISH NEOCLASSICAL
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Glorifies the British General James Wolfe Died in a British Victory over the French 7 Years War A Random Indian???
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The Death of General Wolfe Benjamin West 1770
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Witnessed the fading fortunes of the Rococo Denis Diderot considered first art critic “To Inpire virtue and purify manners.”
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Jean-Simeon Chardin Still Lifes and Domestic Scenes Encourages benevolent exercise of authority and willing submission
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The Governess Jean-Baptiste Chardin 1739
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Jean-Baptiste Greuz Middle Class Drama Drunken Father = Unhappy Family
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Drunken Cobbler Jean-Baptiste Greuze 1780-85
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Jacques-Louis David Studied antique sculpture Assimilated Principle of NEOclassicism Inspired by a 17 th century drama Horace Based on ancient Roman historical texts 3 Sons of Horace = Rome Emotional chicks in the background Became an emblem of the French Revolution
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Jacques-Louis David, The Oath of the Horatii, 1787.
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Jacobin Leader Radical Journalist Suffered skin ailment Stabbed by Charlotte Corday Displays quiet aftermath of the death Desk = Tombstone Martyr
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Jacques-Louis David Death of Marat 1793. N E O C L A S S I C A L
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Jacques-Louis David Coronation of Napoleon & Josephine of 2 Dec 1804, 1806-7.
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Palace of Versailles, France
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Coronation at Louvre (Original) Coronation at Palace of Versailles
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Coronation at Louvre (Original) Coronation at Palace of Versailles
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Jacques-Louis David Napoleon Crossing St. Bernard 1800-01. N E O C L A S S I C A L
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Jacques-Louis David Napoleon in His Study 1812. N E O C L A S S I C A L
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Cupid and Psyche Antonio Canova 1787
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Jean-Antoine Houdon Naturalism Carved busts and full-length statues of many important figures of his era Commissioned by Virginia Legislature Thirteen Rods = Colonies
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George Washington Jean-Antoine Houdin 1788
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Thomas Jefferson = Architect Based on Ancient Roman Temples Charlottesville, VA Embodies NEOClassical Stizzzyle
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Thomas Jefferson, Monticello Charlottesville, VA, 1770-1806 AMERICAN NEOCLASSICAL
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John Singleton Copley Wealthy Clientele Commissioned by Brook Watson Wealthy London Merchant Pyramidal
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John Singleton Copley Samuel Adams, 1772.
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