1. American Romanticism

2. Before we look at where we’re headed let’s review where we’re coming from … Puritanism 1600-1750: Puritan Literature and Doctrine The bible the sole source of law Belief in original sin Belief in predestination Literature reflected this way of life Focused on religious beliefs, relationship with God Often intolerant Gender stereotyping

3. The Age of Reason 1750-1800: The Age of Reason –Responded to the political, social, economic changes in America Literature was practical –Urged social or political reform ex. Franklin’s Poor Richard’s Almanack –Stressed reason and judgment –Critical of institutionalized religion Ex. Thomas Pain’s Common Sense Declaration of Independence

4. This gave way to … American Romanticism

5. Dispelling Misconceptions It isn’t about romance, i.e. candlelight dinners, roses, and a prince charming "Romanticism," as a term, derives from "romance," which from the Medieval Period (1200-1500) and on simply meant a story (e.g. all the chivalric, King Arthur legends) that was adventuristic and improbable.

6. What are the origins of Romanticism? The "Romantic Period" refers to literary and cultural movements in England, Europe, and America roughly from 1770 to 1860. In America, artists, writers and philosophers rebelled against conventions of the Age of Reason –Wanted to deal with EMOTIONS! –Championed the value of the individual Response to industrialization/urbanization –Escapism

7. Origins cont’d Romantic writers (and artists) saw themselves as revolting against the "Age of Reason" (1700-1770) and its values. They celebrated/valued: – imagination/intuition versus reason/calculation, – spontaneity & freedom versus control, –subjectivity and metaphysical musing versus objective fact, –revolutionary energy versus tradition, –individualism versus social conformity, –democracy versus monarchy, and so on.

8. American Romanticism The movement began in America in 1828 (roughly) It ended in 1865 with the onslaught of the Civil War, which led to the Age of Realism.

9. The Characteristics of Romanticism Emphasis of emotion over reason Style - Formal language Description provides a "feeling" of the scene Silences of the text - universals rather than learned truths Plot arranged around crisis moments; plot is important Supernatural foreshadowing (dreams, visions) Belief in the natural goodness of man Belief that nature and simplicity= purity and cities and sophistication= corruption Fantasy/Introspection Universe is mysterious; irrational; incomprehensible Belief in “The 5 I’s”- Imagination, Intuition, Innocence, Inner Experience, and Inspiration from nature/supernatural

10. Characteristics of Romanticism, Cont’d “suspension of disbelief” –Improbable plots ex. “The Devil and Tom Walker,” The Count of Monte Cristo –Remote, far-away settings –The abnormal –Use of terror, fear, the unknown Another integral part of the Romantic period is the concept of the Romantic hero, a concept that emerged during this movement and still exists today

11. The Romantic Hero –valued emotion rather than rational thought, so was often portrayed as brooding or dreaming. –He often lived excluded from or at odds with society, and became one with the natural world. – He was youthful, innocent, intuitive, close to nature, and hopelessly uneasy with women who represented the trappings of civilization. The “Noble Savage” – an idealization of the Native American as the epitome (best example) of simplicity, innocence and closeness with nature.

12. The Romantic Hero A character of extremes –No limitations on imagination or feelings – the more powerful the feelings, the better! –Can be obsessive (in love and otherwise) Quest for Beauty or Perfection –Becomes consumed with desire for the “unattainable.” Closely tied to the concept of escapism –Longs for something more Transcend the ordinary The past The impossible

13. Famous Romantics and their Works Washington Irving– “Rip Van Winkle” The Legend of Sleepy Hollow James Fenimore Cooper—The Last of the Mohicans William Cullen Bryant (poet)- “Thanatopsis” Henry Wadsworth Longfellow- “Evangeline” Edgar Allan Poe- many poems and short stories Herman Melville- Moby Dick Nathaniel Hawthorne- “The Scarlet Letter”, short stories

14. The Dark Romantics Same characteristics as the Romantics, but darker. Unlike the Romantics, the Dark Romantics acknowledged the evil of man and the horror of evil. Emphasizes the supernatural, grotesque, the gloomy and the morbid. The Dark Romantics- Edgar Allan Poe (the father of the horror genre), Nathaniel Hawthorne, Herman Melville.

15. Note Remember: The Romantic period is not about Romantic love! It is a literary movement and has nothing to do with the romance novel.

16. Sources: 1)Professor Bruce Harvey’s American Literature webpage