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Art of India and Southeast Asia. The Great Stupa (Sanchi, India) completed first century CE Siddhartha Gautama/ Buddhism/ nirvana/ stupa/ path at the.

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Presentation on theme: "Art of India and Southeast Asia. The Great Stupa (Sanchi, India) completed first century CE Siddhartha Gautama/ Buddhism/ nirvana/ stupa/ path at the."— Presentation transcript:

1 Art of India and Southeast Asia

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3 The Great Stupa (Sanchi, India) completed first century CE Siddhartha Gautama/ Buddhism/ nirvana/ stupa/ path at the base of the dome/ symbols of the Buddha’s presence/ cosmic diagram of the world mountain/ toranas

4 Use of sensuous figures (yakshi)

5 harmika/ yasti/chatras

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7 Roman copy of the omphalos from Delphi

8 The Enlightenment from the west gateway of the Great Stupa (Sanchi, India), c. 50-25 BCE

9 The Great Departure, the east gateway of the Great Stupa

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11 Interior of chaitya hall (Karli, India) c. 100

12 Section (left) and plan (right) of chaitya hall at Karli

13 Seated Buddha from Gandhara (Pakistan), 2 nd to 3 rd century, stone a new image of the Buddha/ bhakti/ dukha and the Four Noble Truths/ bodhisattvas/ lakshanas/ ushnisha/ urna/ three bodies of Buddha/ asceticism/ Greco-Roman influence

14 The Four Great Miracles (Gandhara), 2 nd century, schist

15 Seated Buddha preaching the first sermon, from Sarnath (India) fifth century CE Halo and the Bodhi tree at Bodh Gaya/ Deer Park near Sarnath/ strong degree of abstract idealism found in the Gupta style/ mudra/ dharma/ long-lobed ears/ broad shoulders and thin waist/ image of a yaksha

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17 Left: Abhaya-mudra (granting protection to devotees and dispelling fear) Right: Varada-mudra (denotes a deity’s charity, or power to grant a wish or fulfill a vow)

18 Left: Dhyana-mudra (denotes intense concentration during meditation) Right: Dharmacakra-mudra, the “turning of the Wheel of the Law” (gesture of teaching)

19 Left: Vitarka-mudra (denotes exposition or argument, another form of teaching) Right: Vajra-mudra (symbolizes the supreme widsom of Adi-Buddha (Vairocana), especially in his Japanese manifestation as Dai Nichi; also symbolizes a mystical sexual union for Tantric adepts)

20 Left: Bhumisparsha-mudra, or “touching the earth,” (most common in Thailand, a gesture made at the point of Enlightenment) Right: Anjali-mudra (symbol of supplication or adoration)

21 Shiva as Mahadeva in rock-cut temple (Elephanta, India), sixth century Shiva as Mahadeva/ three colossal faces with three different expressions

22 Garbha griha at Elephanta garbha griha/ linga

23 Vishnu Temple (Deogarh, India), early sixth century Hinduism/ Brahma/ Vishnu/ use of Hindu temple as a residence for a god/ darsan/ purusha/ mandala/ more sculptural than architectural/ sikhara

24 Vishnu Reclining on the Serpent of Eternity (Deogarh), early sixth century

25 Vastupurushamandala 32 padadevatas (divinities in the square borders)/ nakshatras/ Brahmasthana

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