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Published byMargery Paul Modified over 9 years ago
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Art of India and Southeast Asia
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The Great Stupa (Sanchi, India) completed first century CE Siddhartha Gautama/ Buddhism/ nirvana/ stupa/ path at the base of the dome/ symbols of the Buddha’s presence/ cosmic diagram of the world mountain/ toranas
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Use of sensuous figures (yakshi)
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harmika/ yasti/chatras
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Roman copy of the omphalos from Delphi
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The Enlightenment from the west gateway of the Great Stupa (Sanchi, India), c. 50-25 BCE
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The Great Departure, the east gateway of the Great Stupa
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Interior of chaitya hall (Karli, India) c. 100
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Section (left) and plan (right) of chaitya hall at Karli
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Seated Buddha from Gandhara (Pakistan), 2 nd to 3 rd century, stone a new image of the Buddha/ bhakti/ dukha and the Four Noble Truths/ bodhisattvas/ lakshanas/ ushnisha/ urna/ three bodies of Buddha/ asceticism/ Greco-Roman influence
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The Four Great Miracles (Gandhara), 2 nd century, schist
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Seated Buddha preaching the first sermon, from Sarnath (India) fifth century CE Halo and the Bodhi tree at Bodh Gaya/ Deer Park near Sarnath/ strong degree of abstract idealism found in the Gupta style/ mudra/ dharma/ long-lobed ears/ broad shoulders and thin waist/ image of a yaksha
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Left: Abhaya-mudra (granting protection to devotees and dispelling fear) Right: Varada-mudra (denotes a deity’s charity, or power to grant a wish or fulfill a vow)
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Left: Dhyana-mudra (denotes intense concentration during meditation) Right: Dharmacakra-mudra, the “turning of the Wheel of the Law” (gesture of teaching)
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Left: Vitarka-mudra (denotes exposition or argument, another form of teaching) Right: Vajra-mudra (symbolizes the supreme widsom of Adi-Buddha (Vairocana), especially in his Japanese manifestation as Dai Nichi; also symbolizes a mystical sexual union for Tantric adepts)
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Left: Bhumisparsha-mudra, or “touching the earth,” (most common in Thailand, a gesture made at the point of Enlightenment) Right: Anjali-mudra (symbol of supplication or adoration)
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Shiva as Mahadeva in rock-cut temple (Elephanta, India), sixth century Shiva as Mahadeva/ three colossal faces with three different expressions
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Garbha griha at Elephanta garbha griha/ linga
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Vishnu Temple (Deogarh, India), early sixth century Hinduism/ Brahma/ Vishnu/ use of Hindu temple as a residence for a god/ darsan/ purusha/ mandala/ more sculptural than architectural/ sikhara
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Vishnu Reclining on the Serpent of Eternity (Deogarh), early sixth century
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Vastupurushamandala 32 padadevatas (divinities in the square borders)/ nakshatras/ Brahmasthana
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