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“A film is never really good unless the camera is an eye in the hand of a poet.” Orson Welles.

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Presentation on theme: "“A film is never really good unless the camera is an eye in the hand of a poet.” Orson Welles."— Presentation transcript:

1 “A film is never really good unless the camera is an eye in the hand of a poet.” Orson Welles.

2  What are we doing? Looking at Kee’s character and how it is developed in the film.  Why are we doing it? Developing awareness of director’s choices when creating character. To write an awesome film essay in the exam.  How are we doing it? Working individually an in mixed number groups  What should we achieve? Notes on Kee and links to techniques.

3  Draw a shape that represents the number of people in your group and use the majority of the paper. Each side should be approximately the same length. Now draw a slightly smaller shape inside. Each side is owned by one person in your group. The middle is shared space.

4  In the space closest to you, brainstorm all of Kee’s qualities shown in the film. Do this individually.  Now share your responses, orally. In the middle of the shape, list Kee’s qualities, starting with the most important. You must all agree what this is.

5 What do we learn about Kee at the school when she is sitting on the swing? Shot type?

6 “The drama, the attraction, of film lies not so much in what is shot – that's the drama of subject – but in how it is shot and how it is presented through editing.” James Monaco, How to Read a Film

7  What scene is important for Kee’s character?  We will watch this scene and consider editing techniques used. Remember that editing techniques include:  Cut  Jump cut  Juxtaposition/ match cut  Shot/reverse shot  Insert  cutaway  Fade  Dissolve  Montage

8  What other religious images link with Kee?

9  What does this dialogue tell you about Kee? Consider her vocabulary and how this contrasts with the religious iconography that surrounds her.

10  How does this shot and camera movement (tracking) develop Kee’s point of view for the viewer?

11  How is lighting used in this shot to develop Kee’s character?

12  How does the shot of a small kitten clinging to Theo’s leg relate to Kee? This happens when Theo is at the house with Luke and has to rescue Kee and Miriam.

13  You are now going to write a paragraph about Kee’s character, using the information you have discussed. Pick out her most important characteristic, reasons for this quality and what film techniques are used to display the quality.  Quality  Reasons for this quality  Film technique(s) used to show this quality  Analysis of how the technique is used.


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