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Published byEdgar Oliver Modified over 9 years ago
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Q G WGBH Public Television Quality Workshop 1 What’s Wrong With This Picture? (and sound) Common Problems with Program Masters Tim Mangini - FRONTLINE Jim Kutzner - PBS
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Q G WGBH Public Television Quality Workshop 2 Tech Eval as Fundraiser Focused on minutiae They’re out to get me I don’t have time or money for this
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Q G WGBH Public Television Quality Workshop 3 Reality Same goals - Optimum viewer experience Collaborative not Punitive Good investment of resources
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Q G WGBH Public Television Quality Workshop 4 PBS Most Busted: Macro-Blocking/Pixilation Gamut Aspect Ratio Drop Frame Time-Code Audio Phase Synthesized/Fake Stereo Loudness Audio Dropouts/Hits Adjacent Audio Track Sync Lip Sync
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Q G WGBH Public Television Quality Workshop 5 Macro-Blocking & Pixelation
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Q G WGBH Public Television Quality Workshop 6 Gamut Uncorrected image
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Q G WGBH Public Television Quality Workshop 7 Gamut Color corrected image Hard limited image
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Q G WGBH Public Television Quality Workshop 8 Aspect Ratio
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Q G WGBH Public Television Quality Workshop 9 Aspect Ratio
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Q G WGBH Public Television Quality Workshop 10 Non-Drop Frame Time-Code NDF program is 3;12 too long You or PBS will need to make a cut Always Master in Drop Frame Doesn’t matter whether you shoot on DF or NDF Doesn’t matter whether you shoot on DF or NDF
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Q G WGBH Public Television Quality Workshop 11 Audio Phase Normal Stereo Phase
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Q G WGBH Public Television Quality Workshop 12 Audio Phase 180° Out of Phase
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Q G WGBH Public Television Quality Workshop 13 Synthesized/Fake Stereo 6 ms left/right offset
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Q G WGBH Public Television Quality Workshop 14 Synthesized/Fake Stereo Synth Stereo Folded to Mono
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Q G WGBH Public Television Quality Workshop 15 Loudness/Dial Norm Audio starts low
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Q G WGBH Public Television Quality Workshop 16 Loudness/Dial Norm Audio gets progressively louder to meet spec
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Q G WGBH Public Television Quality Workshop 17 Loudness/Adjacent Containers Program clip meets Dial-Norm spec
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Q G WGBH Public Television Quality Workshop 18 Loudness/Adjacent Containers Adjacent promo is too loud
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Q G WGBH Public Television Quality Workshop 19 Audio Dropouts and Hits Momentary dropouts can easily be missed without good monitoring Clicks and pops can be caused by word clock errors or cut points on NLE’s
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Q G WGBH Public Television Quality Workshop 20 Adjacent Audio Track Sync DVS/SAP/Mono tracks 5.1 should have only Narration and dialogue in the center channel
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Q G WGBH Public Television Quality Workshop 21 Lip Sync 2 Frames variance is tolerable Broadcast distribution chain may induce sync errors (MPEG2)
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Q G WGBH Public Television Quality Workshop 22 Sync Drift Ingest via Firewire unreliable Use RS422 Use RS422 Longer clips susceptible Break up on ingest if possible Break up on ingest if possible Some cameras are culprits Some cameras are culprits Incompatibility with mix Add head and tail pops before splitting sequence Add head and tail pops before splitting sequence
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Q G WGBH Public Television Quality Workshop 23 Loudness management Program has -21.4 LKFS Long-term Loudness
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Q G WGBH Public Television Quality Workshop 24 Loudness management Segment has -18.8 LKFS Long-term Loudness
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Q G WGBH Public Television Quality Workshop 25 Sync Tool www.syncheck.com
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Q G WGBH Public Television Quality Workshop 26 Analysis tools www.tek.com www.broadcast.harris.com Videotek VTM seriesTektronix WVR series
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Q G WGBH Public Television Quality Workshop 27 Audio analysis tools
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Q G WGBH Public Television Quality Workshop 28 Audio analysis tools www.dolby.com Dolby LM100
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Q G WGBH Public Television Quality Workshop 29 Audio analysis tools WWW.QUALISAUDIO.COM
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Q G WGBH Public Television Quality Workshop 30 Takeaways Plan $$$ and time for tech eval Tools - tailor your plant to be able to meet spec Know the specs yourself Don’t just put it through a legalizer Our responsibility to get it right Pay me now or pay me later Keep your project alive
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Q G WGBH Public Television Quality Workshop 31 Discussion QG@pbs.org org/qualitygroup pbsconnect.org/qualitygroup
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