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The Cask of Amontillado by Edgar Allan Poe Cultural Literacy and Background for Understanding (Presentation assembled by Brooke Allen)

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Presentation on theme: "The Cask of Amontillado by Edgar Allan Poe Cultural Literacy and Background for Understanding (Presentation assembled by Brooke Allen)"— Presentation transcript:

1 The Cask of Amontillado by Edgar Allan Poe Cultural Literacy and Background for Understanding (Presentation assembled by Brooke Allen)

2 “…but when he ventured upon insult, I vowed revenge.” “The Cask of Amontillado” is the narrator’s account of his ability to carry out a chilling plot of revenge against his offender.

3 The author’s precise use of time, place, and setting serves as a vehicle for the plot.

4 Carnival

5 Carnival is a secular holiday, but it evolved from the Christian observance known as Lent. Lent is a solemn forty-day period of fasting prior to Easter.

6 CARNIVAL Traditionally, the fasting during Lent involves abstaining from eating meat. Modern interpretations of fasting may involve abstaining from anything one enjoys.

7 Carn + Val FLESH (Meat) + FAREWELL In anticipation of the solemnity of Lent, the celebration of Carnival evolved. Participants engage in excessive and extreme behavior to bid farewell to meat-eating (and merriment).

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9 What happens during Carnival? Carnival is a time of EXCESS and INDULGENCE. BINGEING upon food and alcohol is common.

10 Partying in the streets and masquerading are enjoyed.

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12 The combination of alcohol and costumes creates an atmosphere where people tend to let down their inhibitions.

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14 European Carnival traditions survive in the United States in the form of Mardi Gras.

15 “The Cask of Amontillado” is set during the “supreme madness” of Carnival. In such a riotous atmosphere, it is easy to see how a crime could go unnoticed.

16 Lifestyles of the Rich Circa 1700-1800

17 The wealthy class enjoyed indulgences such as Gemmary

18 Painting

19 Palazzos (mansions)

20 Fine Wine (vintages)

21 The narrator plans for his revenge to take place in the catacombs beneath his estate. What are catacombs?

22 Catacombs: Cities of the Dead

23 At a certain point in European history, catacombs, underground burial chambers, became a viable alternative to cemeteries.

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25 Catacombs are characterized by extensive tunnels leading to chambers or recesses where the dead repose for eternity.

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27 The wealthy could opt for family catacombs beneath their estates.

28 Masons Definition of –1: a skilled worker who builds by laying units of substantial material (as stone or brick) –2: widely distributed secret order having for its object mutual assistance and the promotion of brotherly love among its members.

29 The narrator of “The Cask of Amontillado” carries out his revenge within the catacombs beneath his palazzo.

30 The narrator is able to lure his victim into the catacombs with the promise of amontillado, a fine sherry wine. (The l’s are pronounced like the l’s in tortilla.)

31 The “supreme madness” of Carnival aside, why doesn’t the suggestion of a journey to the catacombs for a taste of wine seem odd or suspicious to the victim?

32 The Storage of Wine

33 For wines to maintain their best quality, they need to be stored at fairly cool and constant temperatures.

34 During the time period in which the story is set, modern electric refrigeration was not available. To protect wine collections, connoisseurs adopted the practice of storing wines under the ground where temperatures remain ideal year-round.

35 Behind the Story Poe had a real fear of being buried alive After reading Poe’s work, a Russian inventor created a device that allowed “deceased” to ring a bell so that live people above ground would know the buried person was not really dead Think about this as we read “Cask of Amontillado”

36 Sources Coil, Suzanne M. Mardi Gras (photos by Michael Osborne). New York: Macmillan, 1994. France: A Culinary Journey. San Francisco: Collins, 1992. Poe, Edgar A. “The Cask of Amontillado” Literature. Prentice Hall: Englewood Cliffs, NJ 1998. “Underground Paris: The Catacombs.” www.triggur.org.


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