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18th century drama Reformed comedies Sentimental comedies Farces, harlequinades Romances Tragi-comedies Neo-classical plays Affective tragedies (often.

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Presentation on theme: "18th century drama Reformed comedies Sentimental comedies Farces, harlequinades Romances Tragi-comedies Neo-classical plays Affective tragedies (often."— Presentation transcript:

1 18th century drama Reformed comedies Sentimental comedies Farces, harlequinades Romances Tragi-comedies Neo-classical plays Affective tragedies (often she-tragedies)

2 Female writers: 1st half of 18th century Mary Davys: The Humours of York Elizabeth Cooper: The Rival Widows Charlotte Charke Lady Mary Montagu: Turkish Embassy Letters Elizabeth Haywood: A Wife to be Let (1723) The Fair Captive Love in Excess 1719-20 Adventures of Eovaai

3 Female writers: 1st half of the 18th century Sarah Fielding: Adventures of David Simple (1744) The Governess (1749) Charlotte Lennox: The Female Quixote (1752)

4 Female writers: 2nd half of the 18th century Laughing comedy vs. sentimental comedy Elizabeth Griffith: The Platonic Wife 1765 Hannah Cowley: The Belle‘s Strategem 1780 A Bold Stroke for a Husband (1783) A School for Greybeards (1786) Tragedies/serious drama Elizabeth Inchbald: Such Things Are (1787) Mariana Starke: The Widow of Malabar 1790 Joanna Baillie: Count Basil

5 Female writers: 2nd half of 18th century Hannah More: Percy 1777 (tragedy) – Coelebs in Search of a Wife (1809) Fanny Burney: The Witlings (comedy) Evelina 1778 Cecilia 1782 Mary Wollstonecraft: Vindications of the Rights of Woman (1792) Charlotte Smith, Mary Hays, Amelia Opie: mixture of (political) radicalism and sentimentality

6 Gothic novels [Horace Walpole: Castle of Otranto] Clara Reeve: The Old English Baron (1777) Ann Radcliffe: The Romance of the Forest – The Mysteries of Udolpho (1794) – The Italian [Mathew Lewis: The Monk] Mary Shelley: Frankenstein (1818) Parody: Jane Austen: Northanger Abbey (publ. posthumously 1818)

7 Architecture

8 Gothic fiction (pseudo) medieval Gothic; oriental Gothic, imperial Gothic etc 19th century: Brontes, E.A. Poe, Hawthorne, Dickens, Stoker, Wells (Island of Dr Moreau 1896) The sublime (< Burke: Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful): feeling of awe/pleasure/terror/fear in view of something grand, which is both beautiful and threatening at the same time.

9 Jane Austen Northanger Abbey Sense and Sensibility (publ. 1811) Pride and Prejudice (publ. 1813) Mansfield Park (publ. 1814) Emma (publ. 1816) Persuasion (publ. 1818)


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