1. Sean, Ian and Johny

2. Michelangelo Buonarroti, Raphael Sanzio Leonardo da Vinci And… Titian

3. Titian Venice Colorful Subtle colors comparing to that of Raphael Paintings are mostly related to mythology and religion

4. Titian masterful blends colors

5. Michelangelo Buonarroti Representative of the heroic phase of Renaissance art, who ’ s an architect, poet, painter, engineer, and sculptor An Age of generalist education

6. Pieta Lifeless Jesus held by young Virgin Protective pyramidal shape Monumental statement on the meaning of Christian Sacrifice

7. David Biblical David Freestanding larger-than-life statue Defiant presence Powerful rather than graceful

8. Sistine Chapel ceiling

9. Ambitions of Pope and heroic aspirations of Michelangelo are reflected. Creation and Fall of Humankind in Genesis illustrated High-keyed, clear, bright colors used Michelangelo minimized setting, symbolic details but maximized grandeur of figures.

10. Creation of Adam God and Man Equal in size and muscular grace The moment of fulfillment sought by Adam Potential divinity of humankind

11. Dome of Saint Peter ’ s “ Colossal order ” Enormous double shell of brick and stone demonstrate that plan ’ s impractical. ˙ Inspired and affected many copies

12. Raphael Fashionable Portraits: 1.Accuracy 2.Incisiveness -> it means clear and precise or direct and sharp

13. Portrait Baldassare Castiglione At the page 383 Figure16.8 It shows self-confidence and thoughtful intelligence

14. Raphael Raphael composition: 1.Clarity 2.Harmony 3.Unity of design The Alba Madonna: (at page 417) 1. clear, bright colors, precise draftsmanship 2.composed by simple geometric shapes

15. Circle triangle Trapezoid

16. Female saints:( idealized) 1.Sweetness and light 2.sentimental facial expressions 3.theatrical poses e.g. St. Catherine.

17. Raphael The School of Athens: 1. Illustrate the philosophy 2. Ultimate tribute to the rebirth of classical humanism in the age of the Renaissance 3.Shows the Culmination of a style: a.Spatial clarity b.Decorem, C.Balance and Grace

18. The school of Athens Appolo Plato or Leonardo Socrates Raphael Aristotle Pythagoras Michelangelo or Heraclitus

19. Leonardo da Vinci Scientific point of view General rules of nature Special techniques

20. Aerial perspective “ Though other artists had already begun to create some of these effects in their work, Leonardo was the first to make careful measurements and suggest rules for applying them realistically in painting. He called the subject aerial perspective ”. Linear perspective “ Linear perspective is a mathematical system for creating the illusion of space and distance on a flat surface ”. Other techniques: Clarity Symmetry Order Leonardo : Techniques Leonardo da Vinci : Techniques

21. More haze Some haze A feeling of distance

22. A sense of spatial depth

24. Mysterious smile = smile with sadness No No eyebrows Confidence + shyness

25. Who was the Model?

26. Sean, Ian and Johny The End