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I D E O L O G Y 1 : CLASSICAL, CHINESE and ISLAMIC IDEOLOGIES.

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Presentation on theme: "I D E O L O G Y 1 : CLASSICAL, CHINESE and ISLAMIC IDEOLOGIES."— Presentation transcript:

1 I D E O L O G Y 1 : CLASSICAL, CHINESE and ISLAMIC IDEOLOGIES

2 I D E O L O G Y ideas that are operational in a certain culture about what art or design “should be”

3 C L A S S I C I S M an ideology, begun during the Renaissance, that took Greek and Roman civilization as a standard.

4 “Library of Celsus,” Ephesus, 110 AD

5 Maison Carrée, Nimes, FRANCE, 19-16 BC

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7 Filippo Brunelleschi, The Pazzi Chapel, Florence, 1430

8 Andrea Palladio, “Palazzo Chiericati,” Vicenza, ITALY, 1550

9 Andrea Palladio, “Elevation of the Pantheon,” from the Quattro Libri d’Architettura, 1570

10 Andrea Palladio, “Villa Rotunda,” near Venice, ITALY, 1550-1606

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12 Thomas Jefferson, “Monticello,” Virginia, USA, 1768-1809 “Neo-Classicism” Thomas Jefferson, “University of Virginia Library”, USA, 1817-25

13 Antique bust of Attis wearing a Phrygian cap Phrygian cap, worn by French revolutionary, end 18th. century US Army seal, designed 1775

14 Alexandre Vallaury, “Istanbul Archaeological Museum,” 1891 William J. Smith, “İTÜ Faculty of Architecture (Taşkışla),” 1846-52

15 1891, Istanbul1825, USA 1550, ITALY110, Ephesus

16 “Kritios Boy,” 480 BC

17 sculptures from Chartres Cathedral (1194-1260)

18 Michelangelo, “Bacchus” 1497Donatello, “David,” 1440s

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20 Antonio Canova, “Paolina Borghese,” 1804 “Neo-Classicism”

21 480 BC 1497 1804

22 Alessandro Botticelli, “The Birth of Venus,” 1482

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24 “Neo-Classicism” Jacques Louis David, “Madame Récamier,” 1800

25 Domus Aurea decoration by Fabullus 64 – 68 CE

26 The Loggetta of Cardinal Bibbiena Raphael 1516-17

27 Senate Appropriations Committee Room Washington DC Constantino Brumidi in the 1850s

28 CHINESE “SUNG” and “LITERATI” PAINTING

29 Northern Sung Dynasty (960-1127) “The Emperor Ming Huang’s Journey to Shu” (11th century copy of Tang Dynasty painting from the 8th century)

30 Fan Kuan, “Travellers amid Mountains and Streams,” 990-1030

31 Anonymous, “Chu Yun Breaking the Balustrade,” 12th century

32 Wenjen Hua (“Literati Painting”) Liang Kai, “Li Po Chanting a Poem,” 13th centuryLiang Kai, “Immortal in Splashed Ink,” 13th century

33 Chen Chun, “Crab,” from The Album of Flowers and Birds, 14th century

34 Xu Wei, “Ink Grapes,” 14th Century

35 I S L A M I C A R T and A R C H I T E C T U R E

36 Incense Burner, from Syria, 14th century

37 Bowl, from Egypt, 15th century

38 İznik Ceramics, 1580s

39 Arabesque: repetitive use of geometrical and floral designs to symbolize the transcendent, invisible and infinite nature of “Allah”

40 minber (pulpit) from Birgi Ulu Camii, 1320s

41 tuğra (official seal) of Süleyman the Magnificient, 1555

42 Alhambra Palace, Cordoba, SPAIN, 1333-1354

43 ‘Muqarnas’ in the Palazzo della Zisa, Palermo, 1167.

44 Mimar Sinan, “Selimiye Mosque,” Edirne, 1567-74


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