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I D E O L O G Y 1 : CLASSICAL, CHINESE and ISLAMIC IDEOLOGIES
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I D E O L O G Y ideas that are operational in a certain culture about what art or design “should be”
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C L A S S I C I S M an ideology, begun during the Renaissance, that took Greek and Roman civilization as a standard.
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“Library of Celsus,” Ephesus, 110 AD
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Maison Carrée, Nimes, FRANCE, 19-16 BC
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Filippo Brunelleschi, The Pazzi Chapel, Florence, 1430
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Andrea Palladio, “Palazzo Chiericati,” Vicenza, ITALY, 1550
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Andrea Palladio, “Elevation of the Pantheon,” from the Quattro Libri d’Architettura, 1570
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Andrea Palladio, “Villa Rotunda,” near Venice, ITALY, 1550-1606
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Thomas Jefferson, “Monticello,” Virginia, USA, 1768-1809 “Neo-Classicism” Thomas Jefferson, “University of Virginia Library”, USA, 1817-25
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Antique bust of Attis wearing a Phrygian cap Phrygian cap, worn by French revolutionary, end 18th. century US Army seal, designed 1775
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Alexandre Vallaury, “Istanbul Archaeological Museum,” 1891 William J. Smith, “İTÜ Faculty of Architecture (Taşkışla),” 1846-52
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1891, Istanbul1825, USA 1550, ITALY110, Ephesus
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“Kritios Boy,” 480 BC
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sculptures from Chartres Cathedral (1194-1260)
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Michelangelo, “Bacchus” 1497Donatello, “David,” 1440s
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Antonio Canova, “Paolina Borghese,” 1804 “Neo-Classicism”
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480 BC 1497 1804
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Alessandro Botticelli, “The Birth of Venus,” 1482
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“Neo-Classicism” Jacques Louis David, “Madame Récamier,” 1800
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Domus Aurea decoration by Fabullus 64 – 68 CE
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The Loggetta of Cardinal Bibbiena Raphael 1516-17
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Senate Appropriations Committee Room Washington DC Constantino Brumidi in the 1850s
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CHINESE “SUNG” and “LITERATI” PAINTING
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Northern Sung Dynasty (960-1127) “The Emperor Ming Huang’s Journey to Shu” (11th century copy of Tang Dynasty painting from the 8th century)
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Fan Kuan, “Travellers amid Mountains and Streams,” 990-1030
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Anonymous, “Chu Yun Breaking the Balustrade,” 12th century
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Wenjen Hua (“Literati Painting”) Liang Kai, “Li Po Chanting a Poem,” 13th centuryLiang Kai, “Immortal in Splashed Ink,” 13th century
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Chen Chun, “Crab,” from The Album of Flowers and Birds, 14th century
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Xu Wei, “Ink Grapes,” 14th Century
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I S L A M I C A R T and A R C H I T E C T U R E
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Incense Burner, from Syria, 14th century
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Bowl, from Egypt, 15th century
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İznik Ceramics, 1580s
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Arabesque: repetitive use of geometrical and floral designs to symbolize the transcendent, invisible and infinite nature of “Allah”
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minber (pulpit) from Birgi Ulu Camii, 1320s
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tuğra (official seal) of Süleyman the Magnificient, 1555
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Alhambra Palace, Cordoba, SPAIN, 1333-1354
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‘Muqarnas’ in the Palazzo della Zisa, Palermo, 1167.
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Mimar Sinan, “Selimiye Mosque,” Edirne, 1567-74
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