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Published byCynthia Lynch Modified over 9 years ago
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Opening Sequence Exercise: What the audience understands from these different shots 1SJ 2009 HOW DIRECTORS CREATE MEANING
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SFX – Plane engine noise 2SJ 2009
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Plane landing – orange tone SJ 2009 3
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Hand grips armrest & shows wedding ring SJ 2009 4
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Slow pan up to passenger & into a ‘2 shot’ SJ 2009 5
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Reverse shot – CU on Bruce Willis SJ 2009 6
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Passenger continues advice SJ 2009 7
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Reverse shot again - CU SJ 2009 8
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Wide shot of cabin SJ 2009 9
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CU through Willis’ jacket – Passenger sees something SJ 2009 10
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Insert (reverse & POV shot) SJ 2009 11
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CU – Passenger’s eyes travel up to meet Willis’ SJ 2009 12
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Reverse low angle from passenger’s POV SJ 2009 13
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CU – Reaction to Willis’: ‘Trust me, I’m a cop’ 14SJ 2009
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Reverse POV shot – ‘...I’ve been doin’ it for 11 years’ 15SJ 2009
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MCU – Willis removes teddy SJ 2009 16
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Reframes showing female attendant SJ 2009 17
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Over Willis’ shoulder showing her eyes meet Willis’s... 18SJ 2009
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CU Willis passes her 19SJ 2009
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‘DIE’ & ‘HARD’ travel from either side of screen. Music changes SJ 2009 20
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LS – Willis lights cig & walks to camera SJ 2009 21
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Takagi, emerges from office. Music changes to string orchestra SJ 2009 22
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He greets employees 23SJ 2009
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He moves to balcony 24SJ 2009
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Holly Gennero McClane leaves 25SJ 2009
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Steadicam shot – tracking behind her SJ 2009 26
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Harry Ellis talks to her... 27SJ 2009
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...the ‘chat up’ continues... 28SJ 2009
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...he’s still trying hard 29SJ 2009
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LS of Holly’s office 30SJ 2009
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She sits at her desk & swivels away from Harry & camera SJ 2009 31
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MLS – Kitchen at McLane house SJ 2009 32
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Lucy answers the phone 33SJ 2009
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Slow track of Holly’s back – revealing family photos SJ 2009 34
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Closer shot of Lucy on phone SJ 2009 35
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MCU of Holly continuing phone call SJ 2009 36
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MCU on Paulina (housekeeper) SJ 2009 37
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Closer shot on Holly SJ 2009 38
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CU on Paulina SJ 2009 39
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CU on Holly zooms into photo frame SJ 2009 40
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Holly pulls photo forcefully down. SJ 2009 41
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