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February 9, 2015 Triads in Second Inversion: Six-Four Chords CSUEB, Theory II
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February 9, 2015 Dr. Omri Shimron oshimron@elon.edu oshimron@elon.edu CSUEB, Theory II
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Reminder: Triad Positions P4 Not all triad positions were created equally!
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Types of Six-Four Chords: ✤ Bass arpeggiation (arpeggiating six-four) ✤ Melodic bass ✤ Cadential Six-Four ✤ Passing Six-Four ✤ Pedal Six-Four
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The Cadential Six-Four: Typical Settings Differences?
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Cadential Six-Four: A Delay of the V
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Cadential Six-Four: Function = Dominant An expansion of the V area at the phrase ending (cadence)
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Cadential Six-Four: Resolution: Dissonant 4th Down by step: do - ti
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Cadential Six-Four: Resolution: 6th Down by step: mi - re
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Cadential Six-Four: Approach: Dissonant 4th By step (or common tone)
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Cadential Six-Four: Approach: 6th By step (or common tone)
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Cadential Six-Four: Avoiding a Melodic Gap gap: re-tiNo gap: re-do-ti
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Cadential Six-Four: Metric Placement ( in common time ) 1 2 3 4 Beats 1 or 3 in common time
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Cadential Six-Four: Metric Placement (triple meter) Beats 1 or 2 in triple meter
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Cadential Six-Four: Metric Placement in Divided Beats Cad Six-Four on strong part of beat V (dominant) follows on weak part of beat
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February 9, 2015 Dr. Omri Shimron oshimron@elon.edu oshimron@elon.edu CSUEB, Theory II See you in class!
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