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Announcements Papers due today! Readings posted for Thurs 2/16 2/28 – Community Event Reflection due @ beginning of lecture! 3/1 – Email description of creative project to TAs! 3/13 – Creative project due!
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Lecture #9: Yellow Power The I-Hotel & the Asian American Movement
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Ethnicity& Panethnicity WWII = era of ethnic disidentification Ex: Advance in Filipino and Chinese access to citizenship at expense of Japanese internment Post-WWII conditions allows for shift from ethnic disidentification to panethnicity Ethnicity vs panethnicity Categorization and self-identification “panethnic unity is forged primarily through the symbolic reinterpretation of a group’s common history, particularly when this history involves racial subjugation. Even when those in subordinate positions do not initially regard themselves as being alike, ‘a sense of identity gradually emerges from a recognition of their common fate’” (Espiritu 9)
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Watershed of WWII Previous moments of panethnic labor movements Ex: 1920 Filipino & Japanese labor strike in Hawaii Pre-war barriers to panethnicity: Lack of common language Political memories and outlook of homeland Post-war factors for panethnicity: Growth of second generations English develops as common language Advances in civil rights Ex: easing of housing restrictions leads to more interaction amongst ethnicities National difference recedes because of shared experiences in US Influence of feminist and anti-war protests and example of Black Power and pan-African movements Critical mass of politicized, middle class, college students
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The Asian American Movement Defined by 1968 SFSU/UC Berkeley strikes for ethnic studies Key characteristics of movement: Coalitional politics Broad criticism of multiple vectors of oppression Recognition of domestic and international connections international vs internal colonization Primarily middle class, college-aged, second generation, suburban movement From recouping of term “oriental” to Yellow Power to Asian American alliances Politics of identity versus identity based on politics
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The International Hotel: Low-income, single occupancy, hotel rooms in the heart of San Francisco Manilatown Adjacent to Chinatown and Little Italy – in what is now the San Francisco Financial District 1968 – development of financial district begins; Manilatown has been mostly overtaken Resistance to demolishing of I-Hotel fueled by intergenerational, cross-racial, pan-ethnic alliances Demonstrates the broad concerns of the Asian American movement beyond college campuses
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Questions to consider: How does the documentary depict the tension between a politics of identity versus an identity based on politics? How does the documentary consider the connection between politics and culture through the poetry of Al Robles? How does the film demonstrate the battle against the “four prisons” that Glenn Omatsu discusses in his essay? Is the Asian American movement “dead”? Are coalitional mass movements like the protest against the I-Hotel still possible? Why or why not?
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