1. ART 1900-1945-ish

2. 1905 EINSTEIN – Relativity FREUD – General Theory The sub-conscious – the ultimate challenge to The Enlightenment

3. Modernism emphasis on materials or expression instead of illusion a notion of progress & evolution. “Make it new.“ – poet Ezra Pound A hyper-acute awareness of the historical moment

4. TRENDS ABSTRACTION FLATTENING OF PICTORAL SPACE PRIMITIVISM EXPRESSIONISM CUBISM SURREALISM

5. Picasso Les Demoiselle d’Avignon 1907 CUBISM PRIMITIVISM

6. Picasso, Guernica detail CUBISM

7. Braque, The Portuguese, 1911 CUBISM

8. Braque, Georges Glass, Carafe and Newspapers 1914 Pasted papers, chalk and charcoal on cardboard (24 5/8 x 11 1/4 in.) SYNTHETIC CUBISM COLLAGE

9. Boccioni, Unique Forms of Continuity in Space, 1913 Bronze 43 7/8 x 34 7/8 x 15 ¾ ins. FUTURISM

10. Duchamp Nude descending a staircase, 1912 Not just to paint something moving, but the idea of something moving

11. Nolde, Dance Around the Golden Calf, 1910 PRIMITIVISMPRIMITIVISM EXPRESSIONISMEXPRESSIONISM

12. Matisse, Seated Riffian, 1912-13 EXPRESSIONISMEXPRESSIONISM FAUVISM

13. Matisse, The Dance II, 1909-10

14. Franz Marc, Fighting Forms EXPRESSIONISMEXPRESSIONISM

15. EXPRESSIONISMEXPRESSIONISM Marc, Franz Blue Horse I (Blaues Pferd I) 1911 Oil on canvas 112.5 x 84.5 cm

16. Schiele, Egon Seated Girl 1911 Watercolor and pencil 48 x 31.5 cm EXPRESSIONISMEXPRESSIONISM

17. Schiele, Egon Agony 1912 Oil on canvas 70 x 80 cm EXPRESSIONISM NOTE HOW COLOR & LINE CONNECT (AND CONFUSE) BACKGROUND & FOREGROUND

18. Dali, The Persistence of Memory, 1931 Surrealism

19. Meret Oppenheim, Fur covered cup, saucer, and spoon, 1936 (a.k.a. The Object) Surrealism... or furrealism?

20. Duchamp, La Boite en Valide (L.H.O.O.Q.), 1919 DADA “appropriation” Surrealism

21. Duchamp – readymades: anti-art Painting is "washed up," Duchamp said in 1912. Fountain, 1917

22. Duchamp – readymades: anti-art One important characteristic was the short sentence which I occasionally inscribed on the "Readymade." That sentence instead of describing the object like a title was meant to carry the mind of the spectator towards other regions more verbal. - 1961 In Advance of a Broken Arm, 1915 Surrealism

23. The only thing that is not art is inattention. – Duchamp A new difficulty: ONTOLOGICAL – Is it art? Why? (Previous difficulties: modal, contingent, tactical) Magritte The Treason of Images 1928

24. ABSTRACTION

25. Mondrian

29. The Cubists retained the three-dimensional space... their way of seeing remains deeply materialistic; my thinking on abstraction, on the other hand, rests on the belief that such a space must be destroyed; to achieve the destruction of the object I have reached the point of using surfaces. -- Mondrian Objective: Destroy the Object

30. Why? A universal language We want concrete not abstract painting, for nothing is more concrete, more real than a line, a color, a surface. Once they are liberated... they are on their way towards the real goal of art: to create a universal language. -- Theo Van Doesburg

31. Mondrian – 1940s BROADWAY BOOGIE WOOGIE, 1942-43 50 X 50 in.

32. Modernism in Architecture: the International Style Design from the inside to the outside – FORM FOLLOWS FUNCTION Shuns ornamentation features materials – glass, steel, concrete

33. Gropius – Bauhaus 1926

34. 1950 Harvard

35. Mies van der Rohe Seagram Building 1957

36. Frank Lloyd Wright, Fallingwater, 1936-7

37. SUMMARY – Modernism emphasis on materials or expression instead of illusion a notion of progress & evolution poet Ezra Pound: “Make it new."  results in lots of “isms”

38. TRENDS ABSTRACTION (ravel) FLATTENING OF PICTORAL SPACE PRIMITIVISM (stravinksy) EXPRESSIONISM (debussy) CUBISM (schoenberg) SURREALISM (schoenberg, berg) MONDRIAN PICASSO NOLDE DUCHAMP

39. Musical Trends - Decreasing focus on structure and form over content. - Expressionism, romanticism in Music, followed by… - A Throwing-Off of traditional tonalities and practices entirely.

40. Ravel: Mother Goose Direct representations, reassertions of content over form Using new instrumental techniques, impressionism (listen for bird chirping noises, string harmonics)

41. Debussy: Prelude to the Afternoon of a Faun Absence of form, musical impressionism Direct representation, program music (Caused a riot in the Paris Opera House, 189-) Abandonment of major/minor scales, using whole tone and chromatic scales

42. AN ABANDONMENT OF TONALITY: Stravinsky: The Rite of Spring Primitivism, based on the sacrificial killing rituals of ancient cultures. Absence of tonal center, structure based on major and minor scales. Launches movement against tonality

43. Reassertion of Tonality Samuel Barber: Adagio for Strings When it was passe to be a tonal composer, Barber stuck to tonality and was called backwards thinking. Platoon theme song, eh?

44. Music or Mathematics? Schoenberg: Piano Concerto 12 tone row: All 12 notes in tonality, never repeated. Grid mathematics: retrograde, inverse, inverse retrograde of original themes as both melody and harmony Music or mathematics?

45. Mondrian – 1940s BROADWAY BOOGIE WOOGIE, 1942-43 50 X 50 in. ABSTRACTION

46. Picasso Les Demoiselle d’Avignon 1907 CUBISM PRIMITIVISM

47. Nolde, Dance Around the Golden Calf, 1910 PRIMITIVISMPRIMITIVISM EXPRESSIONISMEXPRESSIONISM

48. Duchamp, La Boite en Valide (L.H.O.O.Q.), 1919 DADA “appropriation” conceptual

49. Gropius – Bauhaus 1926

50. Modernism – Romanticism intensified? Folk interest/exoticism  primitivism Demons  Subconscious? (inner demons) Artist as prophet  Artist as prophet Artist as outsider/rebel  Artist as outsider/rebel Nature  NO What is new?  What is New? Historicism?