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Published byKerry Smith Modified over 9 years ago
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Greek Visual Art Sculpture & Architecture
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Archaic Beginnings of realism Contrapposto: naturalistic/one leg carries the weight, one leg free Read pg. 222-223
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Kouros figures -male -standing -used as grave markers -hands to sides -left foot in front of right -has weight points -movable/flexible -nude -began advances in sculpture -naturalistic, truthful -archaic smile
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Kritios Boy 480 BC
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Kore -female counterpart to Kouros -fully dressed -contrapposto
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Vase Painting Given as trophies Amphora
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Classical & Hellenistic Read pg. 227-228 Intellectual & formal in design Classical moved towards Hellenistic style Read pg. 234-239 Hellenistic: more emotional
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The Discus Thrower Myron 450 BC Classical the original was bronze perfect balance and harmony composed face geometric form: built on sequence of triangles/S-curve glorifies the athlete
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Winged Victory or Nike Hellenistic sculpted around 180 BC
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Venus de Milo Hellenistic greatest surviving sculpture of the Greeks could be from a set portrait of a person
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The Orders of Greek Architecture Doric Ionic Corinthian
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Doric The first order of column was the Doric order, it was known for being used by the Spartans. The top part of a column is called the capital. The capital of a Doric column is very simple. The capital is made of a round pad with a square block over it. The Doric column has no base.
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Ionic the capital has two rounded spirals which look like a wrapped scroll viewed from the end. The small Temple to Athena Nike at the Acropolis is Ionic in style.
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Corinthian The third order of Greek column is the Corinthian. The capital of a Corinthian column is carved to look like layers of acanthus leaves. There are carved rings at the base.
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Roman Pantheon Ordinary classical temple type-- rectangular with a gabled roof supported by a colonnade on all sides. The dome was the largest built until modern times.
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Roman ColoSseum Third floor: pilasters Second floor: Corinthian First floor: Ionic Ground floor: Doric
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