1. Contemporary British Fiction: Cool Britannia and After British Literature, Culture, and Society from the 1990s to the Present Session Six: Lad Lit, Spicy Brits, etc.

2. Agenda Fiction and the representation of identity Lad Lit and masculinity: Nick Hornby and Tony Parsons Spicy Brits and ethnicity: Hanif Kureshi and Zadie Smith Nation, Place, language: Irvine Welsh and Peter Ackroyd

3. Contextualism: New Historicism, Cultural Materialism Representation rather than reflection. Art is a cultural construct and ideological product of historically specific conditions rather than a mirror held up to life Art is like other cultural constructs and ideological products. Historically specific conditions: cultural norms, values, ideas, beliefs, institutions, practices, relationships, products.

4. Fiction and the representation of identity Nearly ten years had passed since the Dursleys had woken up to find their nephew on the front step, but Privet Drive had hardly changed at all. The sun rose on the same tidy front gardens and lit up the brass number four on the Dursleys' front door; it crept into their living room, which was almost exactly the same as it had been on the night when Mr. Dursley had seen that fateful news report about the owls. Only the photographs on the mantelpiece really showed how much time had passed. Ten years ago, there had been lots of pictures of what looked like a large pink beach ball wearing different-colored bonnets - but Dudley Dursley was no longer a baby, and now the photographs showed a large blond boy riding his first bicycle, on a carousel at the fair, playing a computer game with his father, being hugged and kissed by his mother. The room held no sign at all that another boy lived in the house, too. Harry Potter and the Philosopher’s Stone

5. Fiction and the Representation of Identity Literature as a corrective to the dominant discursive representation of identities. Literature as an enforcer of the dominant discursive representation of identities. Uses of literature.

6. Fiction and the Representation of Identity Helen Fielding: 30 something women (singletons, the smug marrieds vs Cosmo) Salman Rushdie: the subject / the writer (The Orpheus and Eurydice story vs fatwa)

7. Fiction and the representation of identity Class Gender Religion Ethnicity Region / nation Sexuality Ability Age ???

8. Gender: masculinity Nick Hornby, Fever Pitch Tony Parsons, Man and Boy

9. Nick Hornby, Fever Pitch Representations of masculinity and football: Green Street, The Football Factory

10. Lexi Alexander (2005)

11. Nick Love (2004)

12. John King, The Football Factory (1997)

13. Extreme Fandom: The Firms Chelsea: The Headhunters Tottenham Hotspurs: Yid Army Man. United: Red Army Birmingham City: Zulus Millwall: Bushwackers West Ham United: Green Street Elite (GSE) Arsenal: The Gooners

14. Nick Hornby, Fever Pitch How does Hornby represent fandom?

15. Tony Parsons, Man and Boy (1999) All my images of this particular birthday seemed derived from some glossy American sitcom. When I thought of turning thirty, I thought of attractive thirty-nothing marrieds fooling around like teens in heat while in the background a gurgling baby crawls across some polished parquet floor, or I saw a circle of good-looking, wisecracking friends drinking latte and showing off their impressive knitwear while wryly bemoaning the dating game. That was my problem. When I thought of turning thirty, I thought of somebody else’s life.

16. Ethnicity: Spicy Brits Discourses of etnicity: Enoch Powell’s ”River of Blood Speech” How does Sadie Smith represent ethnic identities? Does Zadie Smith advocate a liberal humanism and does she subscribe to "the official ethical and political doctrine of literary London" (Eagleton)? Does the extract by Smith suggest that she were attempting a "'state of the nation'" novel (Rennison)? Why (not)?

17. Nation and Place Irvine Welsh, Trainspotting Peter Ackroyd, London: the Biography