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PSYCH 2220 Sensation and Perception I Lecture 6. Keywords for lecture 5 Dorsal/ventral streams, action/perception streams. Grandmother cell hypothesis.

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Presentation on theme: "PSYCH 2220 Sensation and Perception I Lecture 6. Keywords for lecture 5 Dorsal/ventral streams, action/perception streams. Grandmother cell hypothesis."— Presentation transcript:

1 PSYCH 2220 Sensation and Perception I Lecture 6

2 Keywords for lecture 5 Dorsal/ventral streams, action/perception streams. Grandmother cell hypothesis. Face cells, hand cells (in ventral stream), prosopagnosia. Distributed processing. transient cells sustained cells magnocellular layers of LGN parvocellular layers of LGN DORSAL VENTRAL

3 SPATIAL VISION

4 FOURIER’S THEOREM: “any complex curve can be mathematically described as the sum of a series of sine waves” Variation of luminance across a scene can therefore be described as a series of sinewaves of different SPATIAL FREQUENCIES.

5 Just low spatial frequencies….

6 … all spatial frequencies

7 High spatial frequencies here are NOT telling you about the face but about the annoying squares….

8 …when the squares are too small to be seen, then the remaining information (i.e., the face) can be seen clearly.

9 visible invisible Spatial Frequency Threshold contrast CONTRAST SENSITIVITY FUNCTION Contrast sensitivity low high low

10 Low spatial frequency High High contrast Low THE CONTRAST SENSITIVITY FUNCTION

11 Low spatial frequency High High contrast Low stationary moving

12 .. which revises… Big rfs  best for low sf  found in periphery Where cells prefer MOVEMENT (on way to dorsal stream good for action…)

13 DEPTH PERCEPTION

14 Artist’s cues Stereopsis Parallax Perspective Size Overlay Texture gradient Accommodation and convergence Cues to DEPTH

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16 David Hockney

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18 The Ame’s room as conflict between SIZE and PERSPECTIVE

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22 Ame’s room movie

23 perspective vs size

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25 The IMPOSSIBLE TRIANGLE as conflict between PERSPECTIVE and OVERLAY (or OCCLUSSION)

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27 The playing card illusion as conflict between overlay and size

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29 Perspective and overlay cues

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35 overlay > perspective perspective > size overlay > size

36 Size constancy: a given object seems the same size as its retinal image size varies with distance from the viewer. Mechanisms of size constancy can be clarified by looking at when it breaks down… 1 – Emmert’s Law 2 – Moon Illusion

37 EMMERT’s LAW If retinal image stays the same then perceived size will depend on distance small thing close big thing far

38 EMMERT’s LAW If retinal image stays the same then perceived size will depend on distance

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40 DEMO ONLY!! They have been MADE different sizes here!!)

41 CRITICAL POINT: the moon always has the same visual angle, but different perceived distance.

42 Scale demo (from Lord of the Rings)

43 Binocular disparities and stereopsis

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45 (red over left eye)

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48 The correspondence problem: How does the brain know which dots in the right eye go with which dots in the left eye?

49 Floating Square

50 RIGHT EYE LEFT EYE

51 (red over left eye)

52 Reversing the glasses opposes stereopsis and artist’s cues

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55 Necker cube

56 Cube

57 Pyramid (lots of depth) (red over right eye)

58 Checkerboard

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60 AUTOSTEREOGRAM

61 Ame’s Window Demonstration

62 overlay > perspective perspective > size overlay > size overlay > stereopsis stereopsis > perspective …but only at close distances

63 Pulfrich illusion

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65 Parallax

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67 parallax video

68 Accommodation and convergence

69 need someone who hasn’t got stereopsis parallax doesn’t know about artist’s cues: (perspective, overlay, texture gradients,size) who could this be???

70 Accommodation cues can be used to solve the visual cliff.

71 Neural basis of stereopsis

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73 Ocular dominance bands

74 RIGHT EYE LEFT EYE FAR NEAR FAR CELL

75 RIGHT EYE LEFT EYE FAR NEAR NEAR CELL

76 NEAR FAR

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78 … motion in depth leads us nicely into…. VISUAL MOTION

79 My mother by David Hockney

80 The scrabble game by David Hockney

81 Visual motion

82 Active motion of real image INFLOW OUTFLOWDATA Passive motion of real image Active motion of after image Attempt to move paralyzed eye Passive motion of after image No movement No movement PREDICTIONS No movement YES movement YES movement YES movement YES movement No movement EXPERIMENTS No movement YES movement

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84 Active motion of real image INFLOW OUTFLOWDATA Passive motion of real image Active motion of after image Attempt to move paralyzed eye Passive motion of after image No movement No movement PREDICTIONS No movement YES movement YES movement YES movement YES movement No movement EXPERIMENTS No movement YES movement No movement YES movement YES movement No movement YES movement


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