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Title History of Modern Music Lecture 1. W African West African Music - Polyrhythms - Call Response.

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Presentation on theme: "Title History of Modern Music Lecture 1. W African West African Music - Polyrhythms - Call Response."— Presentation transcript:

1 Title History of Modern Music Lecture 1

2 W African West African Music - Polyrhythms - Call Response

3 Work Songs ?1800’s to 1900 Evolution of Call/Response Used to set rhythmic cadence of work Work Songs

4 Spirituals 1800’s - 1950’s Mahalia Jackson “Amazing Grace” Spirituals

5 Blues Deep South, 1920 - 1950 Robert Johnson “Whiskey Blues” Blues

6 Rhythm And Blues Memphis, LA, 1940’s and 50’s Big Joe Turner, “Shake, Rattle, and Roll” Rhythm and blues

7 Rock and Roll 1950’s - 60’s Chuck Berry “Johnnie B. Good” Rock and Roll

8 French Impressionism - forsaking classic forms - harmony and melody are flexible, not fixed - emotional response is critical to the art form

9 French Impressionism Late 19th Century Claude Debussy “Jeux De Vagues” From “La Mer” Debussy

10 Ragtime St. Louis, 1890’s to 1910’s Scott Joplin “Maple Leaf Rag” ragtime

11 Black Creole Black Creole Culture New Orleans, 1750 - 1865

12 The LA Negro Code The Louisiana “Negro Code”, 1865 - Limited the ability of black musicians to work in “white only” establishments

13 The LA Negro Code The Louisiana “Negro Code”, 1865 - Limited the ability of black musicians to work in “white only” establishments - Forced classically trained black creole musicians to work in segregated bars and clubs, with untrained black musicians.

14 The LA Negro Code The Louisiana “Negro Code”, 1865 - Limited the ability of black musicians to work in “white only” establishments - Forced classically trained black creole musicians to work in segregated bars and clubs, with untrained black musicians. - Resulted in a merging of West African music and French Impressionism

15 Original Dixieland Jazz Band Dixieland

16 Early Jazz 1900 - 1920 Jelly Roll Morton “Original Jelly Roll Blues” Jelly Roll Morton

17 HOT JAZZ Chicago, 1920’s Louis Armstrong Duke Ellington Hot Jazz

18 Big Band Swing Chicago, NY, 1935 - 1945 Glen Miller Benny Goodman Duke Ellington Swing

19 Big Band Swing NY, 1930’s to 1945 Glen Miller “In The Mood” Glen Miller

20 BeBop NY, LA 1950’s Charlie Parker “In The Mood” Parker & Gillespie

21 BeBop NY, LA 1950’s Thelonious Monk “Rhythm-a-ning” T monk


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