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Published byAnnabel Douglas Modified over 9 years ago
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Samantha Tenorio
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Statement of Purpose I examine the ways in which certain sites and forms of cultural production during the Harlem Renaissance provide a space for, and even foster, the transgression of racial and sexual norms, and thus informed the formation of new identities, such as that of women-loving women.
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Introduction-Thesis Challenging Queer Theory The Blues: Articulating a Newfound Freedom The Cabaret: Queering Time and Space Literature: Confronting Black Female Sexuality through a Queer Lens Conclusion
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“Criminal intimacies” 1 After hours Confounding narratives of racial and sexual uplift 1 Shane Vogel uses this term in his book The Scene of Harlem Cabaret, citing Lauren Berlant and Michael Warner
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Bridging the gap Queer Studies and African American Studies The importance of intersectionality
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