1. Forensic Fiber Analysis
SFS1. Students will recognize and classify various types of evidence in relation to the definition and scope of Forensic Science
b. Distinguish and categorize physical and trace evidence (e.g. … fibers)
SFS2. Students will use various scientific techniques to analyze physical and trace evidence.
b. Analyze the morphology and types of fibers.

2. ESSENTIAL QUESTIONS
How can you distinguish between a natural and manufactured fiber?
How can you distinguish between animal and plant-derived fibers OR artificial and synthetic fibers?
What factors can affect the transfer of fibers?

3. ESSENTIAL QUESTIONS
What important considerations affect the significance of fiber evidence?
What techniques are used in forensic fiber analysis?

4. What is a fiber?
A fiber is the smallest unit of a textile material that has a length many times greater than its diameter.
A fiber can be spun with other fibers to form a yarn that can be woven or knitted to form a fabric.

5. What is a fiber? Fibers can be categorized as one of two types:
Natural—derived entirely from plant or animal sources.
Manufactured—made from long chains of molecules called polymers

7. Plant–Derived Fibers Flax – oldest cultivated (linen)
Cotton – most prevalent
Jute – 2nd most important (burlap)
Sisal – used for twine and rope
Hemp – source of 1st paper
Bamboo – cellulose fiber

8. Flax

9. Cotton

10. Jute and Sisal

11. Hemp and Bamboo

12. Animal–Derived Fibers
Silk – derived from silkworm or spider
Sinew – animal tendon
Wool – sheep
Other hair – cashmere (goat), mohair (goat), angora (rabbit), alpaca, camel, and qiviut (muskox)
Fur – whole pelt

13. Silk

14. Sinew

15. Wool

16. Cashmere and Mohair

17. Angora and other hair
Camel
Alpaca
Qiviut

18. Manufactured Fibers
More than half of all fibers used in the production of textile materials are man-made.
Some man-made fibers originate from natural materials such as cotton or wood (artificial); others originate from chemicals (synthetic).

19. Synthetic Fibers Rayon –1st artificial fiber from wood
Acetate – artificial from wood (satin)
Nylon –1st synthetic fiber
Olefin – synthetic (carpet)
Acrylic – synthetic wool
Polyester – most common syn.
Specialty fibers – Kevlar, Spandex

20. Rayon

21. Acetate

22. Nylon

23. Olefin and Acrylic

24. Polyester

25. Specialty Fabrics
Kevlar
spandex

26. Natural vs. Synthetic
wool
other hair
silk
flax
cotton
polyester

27. Fiber Evidence
Fibers are gathered at a crime scene with tweezers, tape, or a vacuum. 
They generally come from clothing, drapery, wigs, carpeting, furniture, and blankets. 

28. Fiber Evidence
The problem with fiber evidence is that fibers are not unique. 
Because it is considered class evidence, it cannot pinpoint an offender in any definitive manner. 
There must be other factors involved, such as evidence that the fibers can corroborate or something unique to the fibers that set them apart.

29. Fiber Evidence
The type and length of fiber used, the type of spinning method, and the type of fabric construction all affect the transfer of fibers.

30. Important Considerations
The number of fibers on the clothing of a victim identified as matching the clothing of a suspect is important in determining actual contact.
The greater the number of fibers, the more likely that contact actually occurred between these individuals.

31. Important Considerations
The length of time between the actual physical contact and the collection of clothing items from the suspect or victim is also important.
If the victim is immobile, very little fiber loss will take place, whereas the suspect's clothing will lose transferred fibers quickly.
The likelihood of finding transferred fibers on the clothing of the suspect a day after the alleged contact may be remote, depending on the subsequent use or handling of that clothing.

32. Important Considerations
The location of fibers on different areas of the body or on specific items at the crime scene influences the significance of the fiber association.
The identification of less common plant or animal fibers at a crime scene or on the clothing of a suspect or victim would have increased significance.

33. Important Considerations
The amount of production of a particular man-made fiber and its end use influence the degree of rarity of a given fiber.
Unusual cross sections (often manufacturer-specific) encountered through examination can add increased significance to a fiber association.

34. Fiber Evidence
Generally, the analyst gets only a limited number of fibers to work with—sometimes only one.
Whatever has been gathered from the crime scene is then compared against fibers from a suspect source, such as a car or home.

35. Steps of Fiber Analysis
Fibers should be first examined using stereomicroscopy.
Physical features such as crimp, length, color, relative diameter, luster, apparent cross section, damage, and adhering debris should be noted.
Fibers are then tentatively classified into broad groups such as manufactured, natural, or inorganic. If the sample contains yarns, threads, or sections of fabric, construction should be recorded.

36. Steps of Fiber Analysis
If all of the characteristics are the same under the stereoscope, the next step is to examine the fibers with a comparison microscope to discriminate between fibers, especially those that appear to be similar.

37. Steps of Fiber Analysis
Dyes are analyzed using different techniques
Microspectrophotometry (MSP)
Light absorbed by or reflected from a sample is separated into its component wavelengths, and intensity at each wavelength plotted.
Can be IR or UV/Vis

38. Steps of Fiber Analysis
Thin-layer chromatography (TLC)
Dye components are separated by their differential migration caused by a mobile phase flowing through a porous, adsorptive medium.

39. Steps of Fiber Analysis
The chemical makeup of the fiber itself can be examined using
Gas chromatography –
Mass spectroscopy (GCMS)
The GCMS instrument is made up of two parts. The gas chromatography (GC) portion separates the chemical mixture into pulses of pure chemicals and the mass spectrometer (MS) identifies and quantifies the chemicals.

40. Other Fiber Analyses Burning the fiber Chemically treating the fiber
Odor of burning hair – Animal source
Odor of burning paper – Plant source
Melts, but does not burn – Manufactured
Chemically treating the fiber
Dissolves in strong acid – plant, silk, or manuf.
Dissolves in strong base – wool